Valve saturation

Author: m | 2025-04-24

Valve saturation Like tape, valve saturation progressively adds harmonics in a musically pleasing way, with distinct colouration. Triode valves generate largely even The tube/valve saturation module applies asymmetric valve processing that closely resembles sound of a high-quality valve amplifier cascade. Another saturation module VariSaturator features is a digital waveshaping saturator with feedback topology.

VocalMint Saturator brings valve-style saturation to vocal

Thermionic Culture VultureINTRODUCTIONFor more than fifteen years, this British-made, high-gain valve unit has provided a palette of vivid distortion colours; from sublime thickening textures to demonic growls of perverted mayhem!KEY FEATURESDial-in rich harmonic content with three diverse valve topologiesSubtly colour or utterly destroy existing tracks, buses, or an entire mixValve ModesThe triode and pentode settings have different saturation characteristics.The ‘T’ setting generates more second order harmonics and is the cleanest, smoothest, and sweetest mode. Great for adding tube warmth to signals without obvious distortion.The ‘P1’ is the most popular setting, it generates more third order harmonics and provides a harder, more edgy sound.The ‘P2’ setting has a particularly aggressive sound. It can produce some of the most unusual and over-the-top effects such as frequency doubling, gating, and stuttering.BiasModifying the bias significantly affects the saturation characteristics of the Culture Vulture. To achieve the cleanest sound, set the bias so the Meters register around 0.25-0.3mA.Increasing bias current will produce a thicker, rounder tone with more harmonic distortion. At higher bias currents, the cathode is over-fed and outputs rich and fat distortion.If bias current is decreased below 0.3mA, the unit will produce a cleaner and thinner sound. At the lowest bias settings, the cathode is starved and the signal collapses more easily, creating a gated, stuttering effect.MetersThe meters of the Culture Vulture are often confused to be typical VU meters; however, the meters actually depict the current flowing through the input valves and the ‘Bias’ control adjusts this current. Current setting for lowest saturation is at 0.25-0.3mA.Output StageAn Output setting around 8-9 will provide the cleanest output. Increase this setting for higher output valve saturation.TECHNIQUESThe ‘P1’ setting will simulate analogue tape saturation at approximately 0.4mA current reading on the meter.Considerable distortion settings combined with filtering can modify a sine wave into a triangle or sawtooth waveform; this technique can sound very pleasing on synth bass and synth sounds.When the input valves of the Culture Vulture are ‘starved’, the sound becomes thin and loses its body. If the bias approaches 0mA, the unit will only allow the peaks of the signal through. This has a ‘gated’ effect and sounds great on drums. Conversely, if the bias is ‘overfed’ the sound becomes fatter and more rounded.The ‘P2’ setting reacts strangely to decreasing bias and with just the right amount of signal level will cause a frequency-doubling effect to occur. A bias of 0.15mA to 0.2mA

Audified VocalMint Saturator One knob valve saturation - Reddit

Full Description View Full DescriptionFully-featured classic SSL compressorNo half-measures taken, the X-ValveComp doesn't give you a taste of the sound that made SSL consoles so famous, it gives you the full gamut. Providing an exhaustive range of controls, the X-ValveComp includes ratio, knee and threshold along with envelope shaping with attack, release and hold controls, making it simple to dial in your compression to your audio source. Whether it's a fast and punchy drum shell or a more slow and sustaining vocal note, you can find the perfect amount of dynamic control with the included controls. A neat feature within the X-ValveComp is the RMS/Peak switch. With this control, you can adjust the response of your dynamic compression to target either the loudest peak source in your audio or the most common loudness level. Perfect for tailoring to different types of instruments and their transient response. Stay on Peak mode for transient-heavy instruments which come and go quickly in your session including drum shells and switch to RMS mode for more consistent instruments such as a bass guitar or even keyboard. A dedicated Sidechain section includes low and high-pass filters and a Listen button to hear the sidechain source isolated. Perfect for creating space between two conflicting instruments such as a bass drum and bass guitar to let each bloom and duck, a common technique used in electronic music production for more consistent and clear low-end. The compressor you know, with added gritWhere traditional compressors stop, the X-ValveComp keeps pushing. Designed with an added valve emulation after the compression stage, the X-ValveComp makes it simple to add enhanced harmonic excitement to any track. With many practical applications, the introduction of the valve emulation pairs perfectly with rock vocals. Where additional cut, grit and power are needed to cut through a dense rock mix, compressing vocals is a must to maintain consistency, add in the valve emulation and you can make your vocals jump out of a speaker and take to the forefront. Not only suited for vocals, but you can also try your hand pairing it with distorted rhythm guitars or synthesizers to add something extra which helps them to gel into a mix without needing to reach for any additional plug-ins. A must-have studio essentialFor such a vital studio tool, only the best will do. Known around the world for its punchy sound and 'glueing' characteristics, the SSL Native X-ValveComp lets you harness the sound of console-grade processing in your DAW. The beating heart of all modern productions, dynamics control and compression will let you get closer to a professional sound than you thought you could. The combination of punchy compressor and aggressive harmonic saturation makes this an extremely versatile compressor for just about any audio application or instrument you might find in your sessions. FeaturesSSL console-grade processing in your DAW SSL channel compression with added valve-style tone Valve emulation enhances harmonic saturation to thicken and colour your sound Side-chain input with high and low-pass filtering and side-chain listen

Valve Saturation 1209 - Download, Screenshots

Will achieve the optimum conditions, and then all that needs to be done is to adjust the signal level until the effect is heard.HARMONIC ANALYSISTo analyse the non-linear behaviours of the Culture Vulture, I ran a 100 Hz sine wave through the plug-in at various settings.100 Hz sine wave at -12 dB passed through CV T at cleanest settings (0.3mA, 8 Out)100 Hz sine wave at -12 dB passed through CV P1 at cleanest settings (0.3mA, 8 Out)Lol these are considered the cleanest settings, it certainly lives up to its reputation! The Culture Vulture generates strong second and third harmonics, with plenty of noise and additional low and high ordered even and odd harmonic components.100 Hz sine wave at -12 dB passed through CV P1 Tape Emulation settings (0.4mA, 8 Out)Very similar to the P1 cleanest setting but with stronger second and third harmonics. Hence, its richer and fatter sound!The Culture Vulture harmonic generation and saturation is highly dependant on input level and parameter settings. I would be hear all day trying to depict this in screenshots, and it would just be confusing. Therefore, I have stuck to the cleanest settings of T and P1 and my favourite P1 at 0.4mA.SATURATION CHARACTERISTICSFor this test I ran a synth loop through the Culture Vulture at various settings. I have compensated for level so that the synth loop peaks at -1 dBFS for maximum resolution of the waveform in Pro-L.Dry Synth LoopCulture Vulture T at Cleanest Settings (0.3mA, 8 Out)Culture Vulture P1 at Cleanest Settings (0.3mA, 8 Out)Culture Vulture P1 Tape Emulation (0.4mA, 8 Out)Culture Vulture T Overdriven Output (0.3mA, 11 Out)Culture Vulture P1 Overdriven Tape Emulation (0.4mA, 11 Out)Wow, I guess a picture says a thousand words, I would not like to try and decode the saturation characteristics of this plug-in and refer to the manual: ‘The Vulture Culture captures the natural, in-between-the transients dynamic bias response inherent in the Culture Vulture’s valve-driven circuit’.AUDIO EXAMPLESDry Synth LoopPultec Dry Synth.aif (1.3 MB)Culture Vulture T at Cleanest Settings (0.3mA, 8 Out)CV Cleanest T 0.3mA 8 Out Pro-L Boosted.aif (1.3 MB)Culture Vulture P1 at Cleanest Settings (0.3mA, 8 Out)CV Cleanest P1 0.3mA 8 Out Pro-L Boosted.aif (1.3 MB)Culture Vulture P1 Tape Emulation Settings (0.4mA, 8 Out)CV P1 0.4mA Tape 8 Out Pro-L Boosted.aif (1.3 MB)Culture Vulture P1 Overdriven Tape Emulation Settings (0.4mA, 11 Out)CV P1 0.4mA Tape 11 Overdriven Out.aif (1.3 MB)Some Nice CV. Valve saturation Like tape, valve saturation progressively adds harmonics in a musically pleasing way, with distinct colouration. Triode valves generate largely even

What is Valve Saturation? Understanding the Basics

Tube Amp applies asymmetric tube triode overdrive usually found in single-tube microphone pre-amp boxes.The sound this plug-in produces varies from a mild warm overdrive to a fuzzy distortion. Tube Amp also includes a -6 dB/oct low-pass filter that is built-in into plug-in’s valve modeling equation, and can be used to imitate a lower-quality tube triode. Beside that, Tube Amp has a switchable output saturation stage which can be used to additionally overdrive the output signal. It features all standard advanced Voxengo plug-in features like full multi-channel operation, channel routing, built-in oversampling and other functions.Asymmetric tube triode overdrive.Stereo and multi-channel processing.Mid/side processing.Preset manager.Contextual hint messages.Two processing modes.Internal channel routing.Up to 8x oversampling.Undo/redo history.All sample rates support.Additional output saturation stage.Channel grouping.64-bit floating point processing.A/B comparisons.Zero processing latency. Win 32 VST (7.3 Mb) V 2.11 Win 64 VST (7.3 Mb) V 2.11 Mac OSX VST (15.4 Mb) V 2.11 Mac OSX AU (15.4 Mb) V 2.11

Saturation influences on the performance of valve-regulated

You're currently on: Product DescriptionWe Also RecommendSSL and Harrison bring together studio legends from Oxford and Nashville with the Mastering Plug-in Bundle-featuring the Harrison Mastering EQ and SSL X-ValveComp plug-ins.Harrison MASTERING EQThe Mastering EQ has been specifically designed for mastering your mixes and is a must-have for pro audio engineers and enthusiasts alike! The Mastering EQ featuresa revolutionary filter shape that was originally developed for precise speaker management. This means that the resulting curves are perfect for making broad,musical changes to the final tone while maintaining the harmonic balance between the elements of your mix. Unlike ordinary EQs, when two adjacent bands are adjustedthe resulting curve is flat across the band edges, rather than having discrete peaks and valleys. This causes less change in your instrument and vocal character, whileapplying the desired tonal balance to your mix. Managing a powerful full-range EQ has never been so fast and easy!SSL X-ValveCompX-ValveComp is a fully-featured mono or stereo channel compressor with a full set of classic channel compressor controls and an added 'valve' emulation stage. The valve emulation stage sits after the compressor in the signal path and adds a variable degree of primarily 2nd order harmonic saturation and distortion that thickens and colours the sound.The compressor can be switched between Peak or RMS modes and has a full set of controls including; Threshold, Ratio, Knee, Attack, Release and Hold. There are Input and Output Meters with separate kick down compression amount indication and Input and Output Level controls. There's a Gain Make Up control and switched Auto Gain Make Up mode.You may also be interested in:

Saturation influences on the performance of valve-regulated

Sponsored links: Aleksey Vaneev Tube Amp is an audio effect AAX, AudioUnit and VST plugin for professional sound and music production applications that applies asymmetric tube triode overdrive usually found in single-tube microphone pre-amp boxes. The sound this plugin produces varies from a mild “warm” overdrive to a fuzzy distortion. Tube Amp also includes a -6 dB/oct low-pass filter that is built-in into plugin’s tube/valve modeling equation, and can be used to imitate a lower-quality tube triode. Beside that, Tube Amp has a switchable output saturation stage which can be used to additionally overdrive the output signal. Tube Amp features all standard advanced Voxengo plugin features like full multi-channel operation, channel routing, built-in oversampling and other functions. FEATURES: Asymmetric tube triode overdrive Two processing modes Additional output saturation stage Stereo and multi-channel processing Internal channel routing Channel grouping Mid/side processing Up to 8x oversampling 64-bit floating point processing Preset manager Undo/redo history A/B comparisons Contextual hint messages All sample rates support Zero processing latency User interface color schemes Resizable user interface Retina and HighDPI support User Rating: 2.3 (7 votes) Currently 2.29/512345 OS: Windows XP, Windows Vista x64, Windows 7 x64, Windows 8 x64, Windows 10 x64, Windows 11 Little Plate 5.4.1 The lush sound of plate reverb - with a modern twist Trialware | $99.00 Little AlterBoy 5.4.1 Powerful tool for manipulating and making a vocal perfect Trialware | $99.00 MagicPods 2.0.74.0 MagicPods simplifies app testing with AI-driven automation and seamless integration. Shareware EchoBoy Jr. 5.4.1 Seven iconic analog echo emulations in one easy-to-use plug-in Trialware | $99.00 Sofeh Music Studio 10.0.5 Sofeh Music Studio: Intuitive software for composing and producing music. Shareware tags: download Sofeh Music Studio, Music Maker, Rhythm, Sofeh Music Studio, audio editing, software tools, Sofeh Music Studio free download, Music Editor, Ramin Jafari, Music Creastor,

CONTROL VALVE SIZING FOR SATURATED LIQUIDS

Shattered Glass Audio's SGA 1566 gives you a single channel vintage tube preamp. Voxengo's Tube Amp gives you warm overdrive, fuzzy distortion. The Voxengo Tube Amp is an audio effect VST that can be run as a AU too. It has a drive knob, bias knob, mode knob and out gain knob. This plug in is very easy to use and it is very light on my CPU. It is also a freeware and can be downloaded directly from the Voxengo website and it will only take a few minutes to download.freetop rated32-bit / 64-bitAmp Simulator by VoxengoTube Amp is an audio effect AU and VST plugin that applies asymmetric tube triode overdrive usually found in single-tube microphone pre-amp boxes. The sound this plug-in produces varies from a mild “warm” overdrive to a fuzzy distortion.Tube Amp also includes a -6 dB/oct low-pass filter that is built-in into plug-in’s valve modeling equation, and can be used to imitate a lower-quality tube triode. Beside that, Tube Amp has a switchable output saturation stage which can be used to additionally overdrive the output signal.Tube Amp features all standard advanced Voxengo plug-in features like full multi-channel operation, channel routing, built-in oversampling and other functions.FeaturesAsymmetric tube triode overdriveStereo and multi-channel processingMid/side processingPreset managerContextual hint messagesTwo processing modesInternal channel routingUp to 8x oversamplingUndo/redo historyAll sample rates supportAdditional output saturation stageChannel grouping64-bit floating point processingA/B comparisonsZero processing latencySystem RequirementsThis plug-in is compatible with Windows (32- and 64-bit Windows XP, Vista, 7 and later versions) and Mac OS. Valve saturation Like tape, valve saturation progressively adds harmonics in a musically pleasing way, with distinct colouration. Triode valves generate largely even The tube/valve saturation module applies asymmetric valve processing that closely resembles sound of a high-quality valve amplifier cascade. Another saturation module VariSaturator features is a digital waveshaping saturator with feedback topology.

REGIONAL CEREBRAL OXYGEN SATURATION IN VALVE

And the end.The distortion catalystFrom worn out magnetic tape to clipped-signal circuitry to dramatic folds in analog waveforms, distortion can exist in many forms.Dist COLDIRE fuses 11 of these forms into a single explosive plugin, from red-hot analog to ice-cold digital, each with distinctive controls. Get experimental and discover wild compound reactions yet unheard.Analog Tape - Dial in some grainy tape-style saturation and degradation, particularly effective on the low-end, perfect for that organic lo-fi sound. Tube - The soft-clipping warmth and depth of the vacuum valve sound, rich in harmonics and highly responsive to your input. Transistor - The biting response of classic echo box preamps, known for its presence and edgy character, great on guitars. Transformer - A simulation of the nuanced distortion created by magnetic hysteresis, with two options: nickel, for subtle processing, and iron, for more low-mid emphasis. Germanium - The screaming tone made famous by Germanium diode amps, distortion pedals, and fuzz boxes, bright and red-hot. Force - Based on classic studio outboard gear, with 4 modes of operation ranging from analog saturation to roaring overdrive, great for your mix bus.Digital Rectifier - Imitating the unique harmonic overtones and zapped character achieved by reshaping a waveform’s negative phase. Bit Crusher - Edgy harmonics and glassy digital noise achieved by reducing the sample and bitrate of a sound, making anything sound harsh and robotic. Bit Inverter - Introduce crisp digital distortion and unexpected artifacts by modulating a signal’s bit content in real-time. Wavefolder - By distorting the shape of your signal’s waveform, this mode delivers unique overtones and harmonic alterations beyond recognition with 7 shapes. Waveshaper - An incredibly flexible mode with 11 subtypes of operation, from shattered-signal fuzz to surprisingly resonant asymmetrical drive.A closer, lookDist COLDFIRE is simple to use when you need it to be,

Valve Saturation - Static Therapy Research -

Thus how much saturation is incurred. The maximum SPL is 134dB (for 0.5 percent THD), and the self-noise is 7.5dBA. (All three specifications are those achieved with the standard B6 capsule, and there are no pre-attenuator or high-pass filter options either on the mic or the power supply).At first sight it appears that only the centre of the large front-panel control rotates, but actually the entire disc moves (including, surprisingly, the recessed -, 0, and + markings), and the alternate switch positions are found purely by the tactile feel, as there are no labels. An interesting side note is that the same Power Stream power supply unit is employed with Blue’s Cactus microphone, but in that application the variable bias voltage is applied to the rearward half of its dual-diaphragm capsule, such that the switch alters the effective polar pattern in nine steps, instead of the overall sensitivity.The rear of the Power Stream supply features an IEC inlet with an integral fuse-holder, along with an adjacent 110/220 V AC selector and on/off rocker switch. A seven-pin female Neutrik XLR accepts the cable from the mic, while a standard three-pin male XLR provides the audio output.To avoid damaging the valve and shortening its lifespan, the power supply is designed to be very gentle and nurturing! When first switched on, only the valve heater circuitry is energised, and the circuitry ensures there can be no current surge through the cold heater filaments. Only after 80 seconds or so is the anode HT voltage slowly ramped up — a scheme designed to avoid any risk of a process known as ‘cathode stripping’, which can occur if the anode is allowed to operate at full voltage when the cathode is still cold, effectively ‘stripping’ electrons off the cathode before it is ready and potentially shortening the valve’s life or making it noisy. Sensibly, the audio outputs passed through the power unit remain muted for about three minutes after the initial switch-on to allow the system to fully stabilise before use.B HappyIncluded in the standard Mic Locker kit are four capsules, identified only with the model numbers B0, B6, B7, and B8. As shipped from the factory each capsule has three brass screws around the periphery which clamp the internal suspension for protection in transit. These must be removed before use and don’t need to be replaced for normal storage, although it’s a good idea to keep them safe in case the capsules need to be shipped anywhere in the future.All four capsules are large-diaphragm designs with cardioid polar patterns — the de facto standard for vocal duties — but they have different mechanical designs and consequently deliver very different sound characters. The B6 capsule. Valve saturation Like tape, valve saturation progressively adds harmonics in a musically pleasing way, with distinct colouration. Triode valves generate largely even The tube/valve saturation module applies asymmetric valve processing that closely resembles sound of a high-quality valve amplifier cascade. Another saturation module VariSaturator features is a digital waveshaping saturator with feedback topology.

Flow Saturation Characteristic of Counterbalance Valve and

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