Tele lafwa

Author: t | 2025-04-24

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/ Off, 4 areas available Scene Change Detection (SCD) On / Off, 1 areas available Audio Detection On / Off AI Sound Classification Gunshot, Yell, Vehicle horn, Glass break AI Analytics AI Video Motion Detection, AI Face Detection,AI People Detection, AI Vehicle Detection,AI Non mask Detection (prior to V2.70), AI Occupancy Detection, AI Scene Change DetectionFor details : party applications are also available. Privacy Zone On / Off, Up to 32 zones available VIQS On / Off, Up to 8 zones available Image Stabilizer On / Off (Built-in gyro sensor) Camera Title (OSD) On / Off, Up to 40 characters (alphanumeric characters, marks) Lens COMPONENT SPECIFICATION Optical zoom 40x (Motorized zoom / Motorized Focus) Extra zoom Max.60x(40x-60x when resolution is 1280x720) Focal length 4.25 - 170 mm {5/32 inches - 6-11/16 inches} Angular Field of View [16 : 9 mode] Horizontal : 2.0° (TELE) – 65° (WIDE), Vertical : 1.2° (TELE) – 39° (WIDE)(TBD)[ 4 : 3 mode] Horizontal : 1.5° (TELE) – 51° (WIDE), Vertical : 1.2° (TELE) – 39° (WIDE)(TBD) Maximum Aperture Ratio 1 : 1.6 (WIDE) – 1 : 4.95 (TELE) Focus range 3.0 m {118-1/8 inches} –∞ Aperture range F1.6 - close DORI COMPONENT SPECIFICATION Detect (25ppm / 8ppf) Wide: 60.3 m / 197.8 ft, Tele: 2199.9 m / 7217.6 ft Observe (62.5ppm / 19ppf) Wide: 24.1 m / 79.1 ft , Tele: 880.0 m / 2887.1 ft Recognize (125ppm / 38ppf) Wide: 12.1 m / 39.6 ft, Tele: 440.0 m / 1443.5 ft Identify (250ppm / 76ppf) Wide: 6.0 m / 19.8 ft, Tele: 220.0 m / 721.8 ft System on Chip (SoC) COMPONENT SPECIFICATION System on Chip (SoC) Ambarella CV25m Adjusting Angle COMPONENT SPECIFICATION Adjusting Angle Horizontal : 360° Endless Panning, TILT : -20° to +90°, Yaw : 0° Pan /tilt COMPONENT SPECIFICATION Panning

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Skip to main contentUnited States (English / $ USD)DJI Mavic 3 Pro is the first triple-camera drone in DJI's flagship Mavic 3 series.This article will take you through these upgrades and give you a side-by-side comparison to see how it matches up against the Mavic 3, and Mavic 3 Classic.Camera Spec ComparisonDJI Mavic 3 ProDJI Mavic 3DJI Mavic 3 Classic4/3 CMOS Hasselblad Camera1/1.3-inch CMOS Medium Tele Camera1/2-inch CMOS Tele Camera4/3 CMOS Hasselblad Camera1/2-inch CMOS Tele Camera4/3 CMOS Hasselblad CameraHasselblad Camera: 20 MPMedium Tele Camera: 48 MP / 12MPTele Camera: 12 MPHasselblad Camera: 20 MPTele Camera: 12 MP20 MPHasselblad Camera: Hasselblad Natural Colour Solution (HNCS)/D-Log/D-Log M/HLG/NormalMedium Tele Camera: D-Log M/HLG/NormalTele Camera: NormalHasselblad Camera: Hasselblad Natural Colour Solution (HNCS)/D-Log/D-Log M/HLG/NormalTele Camera: NormalHasselblad Natural Colour Solution (HNCS)/D-Log/D-Log M/HLG/NormalMavic 3 Pro, Mavic 3, and Mavic 3 Classic can shoot epic images thanks to the flagship's powerful camera performance. But there are still a little different.How are Mavic 3 series cameras different?Mavic 3 Classic has one 4/3 CMOS Hasselblad camera, which does not support the gimbal lock function. Mavic 3 has two cameras: in addition to a Hasselblad camera, it has a 162mm tele camera and supports a gimbal lock. Mavic 3 Pro has three cameras: in addition to a Hasselblad camera and an upgraded 166mm tele camera, it has a new 70mm tele camera, which can be used to capture subjects and their surroundings with more compression.Benefits of Mavic 3 Pro's triple-camera systemThe Mavic 3 Pro's three cameras all support 4K/60fps. The Hasselblad and 70mm cameras are both D-Log M. If you need different focal lengths and want to enhance your shots to capture richer angles and more storytelling, the Mavic 3 Pro will meet all your shooting needs.Although a new 70mm tele camera may seem minor, it significantly benefits photographers. When using this camera, creating cinematic footage becomes effortless.Compared to the wide-angle Hasselblad camera, the 70mm medium tele camera captures footage with more substantial spatial compression. As a result, it can better highlight the subject in complex environments and emphasize the subject's relationship with its surroundings. This lens creates a clear visual focus in both images and videos.While the 166mm tele camera has advantages, the medium tele camera is better suited for specific scenarios. It allows for new aerial photography perspectives and different camera movements without switching cameras mid-shoot. With just a tap of the screen, users can seamlessly switch between different focal

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Lyrics A moment of silenceSomething wickedEh yeahhEee Beatz Dakay yeah, ArrrbwoyHear me now (eh eh!)MightyleleGyal say she wan some down gbeleleAfter she sip pon the champaignlele (bhim)Kyio benkeme ne matelele, magbeleleƐbɛ ya like itPutting in her mouth and she wan bite itThing set ready and mi a fi strike itLike abedi pelele inna the 90sTell you thisDeal with it, deal with it, deal with the thing there (Mightylele)Mi ago deal with it, deal with it, with the bagga thing wey ya gwan there (Mightylele)When the body bulk and suckMake man no fi to walk pass (Mightylele)Say she go give you the body ohhShe no want your money ohh (Mightylele)Them they think we be yaroBut we carry Auntie Caro (Mightylele)Tele teleEbi your own Cargoo (eh, bhim)Me nyɛ wo basa basa donkomiTake you high like azongoleMakue n'ato manawu and agbogboleMan strong and fit 'cause so gboleBear da burn up up man a fireNo pill, no syrup syrup, cyan cool ITake you way up like El ShaddaiCome fill up your cup and taste no lie (bhim bhim)Deal with it, deal with it, deal with the thing there (Mightylele)Mi ago deal with it, deal with it, with the bagga thing wey ya gwan there (Mightylele)When the body bulk and suckMake man no fi to walk pass (Mightylele)Say she go give you the body ohhShe no want your money ohh (Mightylele)Them they think we be yaroBut we carry Auntie Caro (Mightylele)Tele teleEbi your own Cargoo (Mightylele)Take it away, don't let it goDon't fool your body, don't take it for jokePlug it in don't cut out the flowLike Kranium, no body a fi know oh ohhWoo yooo yoooo yoooA laka onye maho ga sio mi nami looWoo yooo yoooo yoooAbin daadi dey ena chikin wandoDeal with it, deal with it, deal with the thing there (Mightylele)Mi ago deal with it, deal with it, with the bagga thing wey ya gwan there (Mightylele)When the body bulk and suckMake man no fi to walk pass (Mightylele)Say she go give you the body ohhShe no want your money ohh (Mightylele)Them they think we be yaroBut we carry Auntie Caro (Mightylele)Tele teleEbi your own Cargoo (Mightylele)Deal with it, deal with it, deal with the thing there (Mightylele)Mi ago deal with it, deal with it, with the bagga thing wey ya gwan there (Mightylele)When the body bulk and suckMake man no fi to walk pass (Mightylele)Say she go give you the body ohhShe no want your money ohh (Mightylele)Them they think we be yaroBut we carry Auntie Caro (Mightylele)Tele teleEbi your own Cargoo (Mightylele)Tele teleEbi your own Cargoo (Mightylele)Tele teleEbi your own Cargoo (Mightylele)Writer(s): Vincent Mensah, Livingstone Etse SateklaLyrics powered by www.musixmatch.com. radio tele lafwa presente:radio tele lafwa live now

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SensorCMOS, 1/2.8"Effective Pixels: 2.13 MLens30x Optical ZoomF1.6 (Wide) - F4.7 (Tele)Zoom Movement Speed:- Optical Wide – Optical Tele: 4.6 sec - Optical Wide – Digital Tele: 6.4 sec - Digital Wide – Digital Tele : 1.8 secFocus Movement Time: ∞ - near: 1.1 secFOV63.7°(Wide) - 2.3°(Tele)Digital Zoom6xMin. Working Distance10 mm - 1200 mmPhoto Formats JPEGVideo FormatsMOV, MP4Working ModesCapture, Record, PlaybackStill Photography ModesSingle shot, Burst shooting: 3/5 frames, Interval (2/3/4/7/10/15/20/30 sec) Exposure ModeExposure Mode Auto, Manual, Shutter priority, Aperture priority Exposure Compensation±2.3 (1/3 increments)Metering Mode Center-weighted metering, Spot metering (Area option 12x8)AE LockSupported Electronic Shutter Speed 1/30 – 1/6000 s White Balance Auto, Sunny, Cloudy, Incandescent, Custom (2000K - 10000K)Video Captions Supported TapZoomSupportedTapZoom Range1-5DefogSupportedOne Key to 1x ImageSupportedAnti-flicker 50 Hz, 60 Hz PAL/NTSC SupportedSupported SD Cards MicroSD (SD / SDHC / SDXC) Max. Capacity: 64 GB, Class 10 or UHS-1 Supported File Systems FAT32 (≤ 32 GB) exFAT (> 32 GB)

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Intelligent auto / auto contrast adjust: Off) Maximum Gain The level can be set in the range of 0 to 11. Color/BW (ICR) Off/ On (IR Light Off)/ On (IR Light On)/ Auto1 (IR Light Off)/ Auto2 (IR Light On)/ Auto3 (SCC) IR LED Light High/ Middle/ Low/ Off, Maximum irradiation distance: 20 m {Approx. 65 ft} Digital Noise Reduction (DNR) The level can be set in the range of 0 to 255. Video Motion Detection (VMD) On / Off, 4 areas available Scene Change Detection On / Off, 1 area available Privacy Zone On / Off, Up to 8 zones available Image Rotation 0 ° (Off) / 90 ° / 180 ° (Upside-down) / 270 ° Camera Title (OSD) On / Off Up to 20 characters (alphanumeric characters, marks) Lens COMPONENT SPECIFICATION Focal Length 2.9 mm – 7.3 mm {1/8inches-9/32inches} Optical Zoom 2.5x (Motorized zoom / Motorized focus) Extra optical zoom 2.5x - 3.3x (when resolution is 1920x1080) Digital (Electronic) Zoom Choose from 3 levels of x1, x2, x4 Angular Field of View [16 : 9 mode] *[4:3 mode] is not supported.Horizontal : 44° (TELE) – 103° (WIDE), Vertical : 25° (TELE) – 57° (WIDE) Maximum Aperture Ratio 1 : 2.0 (WIDE) – 1 : 3.0(TELE) Focus Range 1 m {39-3/8 inches} – ∞ DORI COMPONENT SPECIFICATION Detect (25ppm / 8ppf) Wide: 40.7 m / 133.6 ft, Tele: 126.7 m / 415.8 ft Observe (62.5ppm / 19ppf) Wide: 16.3 m / 53.4 ft, Tele: 50.7 m / 166.3 ft Recognize (125ppm / 38ppf) Wide: 8.1 m / 26.7 ft, Tele: 25.3 m / 83.2 ft Identify (250ppm / 76ppf) Wide: 4.1 m / 13.4 ft, Tele: 12.7 m / 41.6 ft AdjustingAngle COMPONENT SPECIFICATION Ceiling Mounting Horizontal: ±180 ° (Adjust by horizontal (PAN) angle)Vertical : 0 ° to 100

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La noticia. Los precios del dólar, la temperatura, estadísticas, trayectorias profesionales, noticias en detalle, etc. son presentadas en los cuadros. Hasta ahí los cambios meramente formales del noticiero. Pero hay otras variaciones del estilo en Tele País, que le dan ese toque polémico y controvertido. Por ejemplo la Música Incidental que se adhiere a los reportajes. La tensión que se logra al poner música instrumental dramática genera mayor atención del público. Los titulares de Tele País también son presentados de una manera diferente. Un presentador al micrófono lee los encabezados, mientras una música crepitante resuena al fondo y se escogen las imágenes más impactantes que se disponga para conmover al público. Los titulares es una sección importantísima del Tele País, llegando a presentar un resumen de todo el informativo creando mayor interés por ver la nota completa. El clip de titulares dura alrededor de 3'30". Otro factor a ser analizado es el color de escenografía utilizado: el rojo intenso. El estilo de Tele País es considerado polémico por otros comunicadores sociales y en sus inicios (Marzo de 2001) fue catalogado como sensacionalista. Pero los ratings del Tele País dieron sus frutos desde un inicio. La red Unitel debe gran parte de su éxito al noticiero central que causó gran revuelo en el aletargado circuito de la televisión comercial boliviana. Muchos de los creadores, periodistas y presentadores originales del Tele País migraron hacia otras redes de TV, llevando consigo la fórmula del Tele País. El año 2001, la red Unitel asumió su primer reto periodístico. El entonces presidente Hugo Banzer Suárez fue diagnosticado con cáncer y se ausentó por cuestiones de salud a Washington DC, Estados Unidos. Unitel mandó a la periodista Karla Revollo a cubrir la noticia en ese país. Desde la clínica militar de Washington se mandaban despachos diarios a Bolivia y el país se enteraba de la declinación de la salud del presidente día a día. Todo el proceso de la enfermedad de Bánzer, su tratamiento en Washington, su retorno a Bolivia y su posterior muerte mantuvieron en vilo a Bolivia y Unitel cubrió la noticia extensamente. En 2002, la red Unitel cubrió otro evento trágico de gran magnitud: la inundación de la ciudad de La Paz el 19 de febrero de ese año. Mientras las otras redes continuaban con su programación normal, Unitel se dio a la tarea de mandar a todos los reporteros disponibles a las zonas donde se producía la tragedia. Los despachos telefónicos, mediante unidades móviles y reportajes en video mostraron la fragilidad de la ciudad y la muerte de cincuenta y nueve personas. La inclusión de despachos en vivo desde las zonas del desastre en el noticiero central le dieron la atención del público en general. En 2003, el amotinamiento de la policía nacional y el asalto por la multitud furibunda a las sedes de los partidos políticos del oficialismo fue cubierta por Unitel con el mismo desplazamiento ágil por toda la ciudad en busca de las imágenes de los eventos. Durante toda. radio tele lafwa presente:radio tele lafwa live now radio tele lafwa presente:radio tele lafwa live now