Slate virtual mix rack

Author: t | 2025-04-24

HD/Library/Application Support/Slate Digital/Virtual Mix Rack/Modules. Windows: C:/Programdata/Slate Digital/Virtual Mix Rack/Modules. Note: This folder is hidden by default. slate digital - virtual mix rack - simulador de microfoneaqui neste video venho trazer o slate digital - virtual mix rack - simulador de microfone pra vc c

Virtual Mix Rack – Slate Digital

Unless you’ve been living in some analog cave (which sounds pretty cool now that I think about it), you’ve heard about Virtual Mix Rack. Steven Slate, (who a friend of mine has called the “Criss Angel of Pro Audio”) excitedly announced VMR well over a year ago and the recording community have been tapping their foot in anticipation. Finally, the day is upon us. Virtual Mix Rack is here and we’re going to look under the hood to see if it was worth the wait. Virtual Mix Rack attempts what other software developers have tried to make catch on but unfortunately have not: a modular set of plugins housed inside of a proprietary shell. No, these plugins cannot just be placed in an insert without the actual “rack” being used. This may seem a bit redundant but once you see exactly what you can do inside of the rack, you will see why Slate chose this setup. We all saw the beginnings of this approach in Slate’s Virtual Bus Compressors (review here) when we were given the VBC Rack option to link all three compressors together. The flexibility of being able to chain together or audition each individual compressor in one window proved very useful, thus the concept was taken a bit further. VMR comes in all of the usual flavors of plugin i.e.: AAX32/64, VST2 & 3, AU, and 32Bit RTAS and also employs better use of native processing to allow for more instances to be used across more tracks. Obviously this would be a must for a plugin who runs more plugins inside of it. Virtual Mix Rack employs a 500 series style rack that up to 8 “modules” can be housed. As it stands right now, there are 5 different modules available, but future expansion for many different types of mixing, effects, and mastering tools are sure to come. The 500 series style allows for a vast combination of modules that can be used in classic as well as nonconventional ways. The rack comes housed with a solo feature for each module, A/B comparison, presets for each

Virtual Mix Rack - Slate Digital

Module, as well as a “global” rack preset. One great thing about the A/B comparison is you can rearrange your modules and compare the results between the two to pick the best fit. Modules can also be cloned from rack to rack in a host by holding down the “alt” button while dragging to the desired destination. A lot of detail has been used to design this rack from the sleek inviting look, all the way down to the virtual module covers that protect your rack from “virtual dust” when not in use. When using a plugin with swappable modules, automation would seem to be a daunting task but the rack takes care of this internally by assigning a letter and number system for each module. Parameters can be seen by clicking the letter above each module in the rack and module. Depending on your host, the parameters will either be simple alpha numeric or actual names. If you would like a default rack preset to show up for each loaded instance, this can be selected under the default menu that drops down when you select the star. Lastly, at the top of the rack is a small volume knob that allows for either linear or circular knob controls. That icon tricked us at first because it appears to be a volume trim knob for the rack. The rack in itself is all well and good but without modules, you pretty much just have a nicely designed box that you can place on an insert. The modules are what really shine in Virtual Mix Rack and the guys at Slate Digital have picked some of the classics to begin with. These modules have been painstakingly created using “master of all things virtually analog” Fabrice Gabriel (the mastermind behind AirEQ). Part of the reason VMR wasn’t released sooner was due to the perfectionist nature of both him and Steven Slate. Like everything Slate Digital put out, it has to be as close to the actual thing as possible. All of the little nuances of each piece of gear being modeled were

Virtual Mix Rack Slate Digital

Mustard Processing, including its Optical Compressor. So much so, he adds, that he’s planning to switch from some external processing to fully onboard processing in the near future. But his prime compliment is for the desk’s sound and workflow, which he says is shared by the group. “I think the sound quality is excellent, and the artists feel the same way,” he says. “I can respond immediately and flexibly to any mix requests from artists, as we move from venue to venue, to keep it consistent for them onstage. It’s really a pleasure to use.”Tarazona is applying Spice Rack liberally to the backing tracks, using its multiband compressors on beats, harmonies, keyboards, and guitars. “Spice Rack is controlling the dynamics of the tracks for the whole show,” he says. “I have more than 55 snapshots during the show, so Spice Rack processing has become a really important tool for me on this tour.” Similarly, Mustard processing also plays a key role on The first HOWL. “For the lead vocals, I have eight headsets and eight handhelds—seven main singers and one spare—so I use Mustard for all the voices, using two different EQs.”There’s no band, but that doesn’t mean there’s no complexity onstage. Tarazona notes that XG uses two different click tracks: a robot click and the slate count for different moments in each song. “It’s more like a musical theater show than a concert because I have so many inputs constantly coming in and out as each song progresses, because the girls’ voices are coming in and out at different points in the song and I don’t want all the microphones open all the time,” he explains. “On a couple of songs, I have more than 10 snapshots—on just one song! The Quantum’s features really make that manageable.”The first HOWL is a true world tour, touching at least three continents so far. And it’s also the tour on which Tarazona discovered that DiGiCo’s support is as global as the music itself. “They have been fantastic,” he says. “I’ve been really happy to find that DiGiCo’s huge support comes with us globally, because this tour has been all around Asia, the US, and now Europe. I’m looking forward to knowing that that support will be there everywhere we go.”For info on the tour, visit www.xgalx.com. Clair Global can be found online at www.clairglobal.com.. HD/Library/Application Support/Slate Digital/Virtual Mix Rack/Modules. Windows: C:/Programdata/Slate Digital/Virtual Mix Rack/Modules. Note: This folder is hidden by default.

Slate Digital( )Virtual Mix Rack

Do you want to make drums leap out of your mix or tame percussion to sit better within your track? Maybe you want your acoustic guitar to sound crisper, your rap vocals to hit harder, and your synth line to be snappier. With the right transient shaper, you can achieve all that and more! Experience precise control over your transients and unlock unlimited sound design capabilities with our handpicked list of the best transient shaper plugins on the market. Let’s dig in!Included in this guide:ImageProductFeaturesPriceBest OverallSlate Digital Transient Shaper Plug-InControls detected transient and tail of sourceAdjusts Gain, Warmth, Sustain, and Transient PresenceFocus sliders for precise frequency filtering5Check PriceRunner-upOeksound Spiff Adaptive Transient Processor Plug-InDetailed and adaptive transient design toolTime and frequency-specific transient controlsDepth, Sensitivity, Decay, and Sharpness Enhancer4.9Check PriceTop PickEventide Physion MK II Transient Tonal Audio Splitter Plug-InAutomatic transient and tonal separationSeven transient effects and eight tonal effectsIncludes 500+ sound presets to spark creativity4.8Check PriceTop PickWaves Smack Attack Transient Shaping Plug-InDrum and percussion-optimized transient shaping toolRefine transient level, shape, and durationSensitivity control for precise transient shaping4.7Check PriceFREEKilohearts Transient Shaper Plug-InLightweight transient shaping plug-inDirect control over Attack and Sustain for audio signalsTransient Speed, Sidechain, and Clip adjusters4.5Check Price Related Article: The Top 5 Best Limiter Plugins Of 2024 To Maximize Loudness1Take your transients to the next level with Slate Digital’s Transient Shaper plug-in, the ultimate sound-sculpting software. Whether it’s vocals, bass, percussion, or any other instrument, this flexible tool will help you shape and refine your sonic highlights to perfection. Its intuitive controls include a Transient module for gain control and saturation, a Sustain module to manipulate transient tails, a Mix knob for blending, Focus sliders for filtering, and so much more!Check out our review video below!ProsUseful for both emphasizing and blending transientsTone-shaping tools like the Warmth knob and Listen buttonWorks seamlessly as part of Slate Digital’s Virtual Mix Rack suiteConsIf you buy it outside the slate bundle, it is on the pricier end of transient shaper plug-ins 2Spiff delivers unparalleled control over your transients—cut them or boost them with great detail! Use Spiff to eliminate mouth clicks and subtle noises, soften a guitar’s pick attack, or soften the transients of an entire mix. You can also engage boost mode to enhance transients, adding palpable attack to your drums and injecting clarity and expression into your instruments. Unlike traditional transient shapers, which function like compressors and envelope shapers, Spiff relies on spectral analysis and dynamic filters to apply cuts or boosts, resulting in natural musicality.ProsAutomatically analyzes incoming signals and recognizes transients instantlyUsed by award-winning producers like James Reynolds and Joe BarresiPushes sounds forward or back in your mix without affecting the volumeConsTakes time to learn and master the complex interface 3Seamlessly split

SLATE DIGITAL : VIRTUAL MIX RACK

All the bases, and they sound excellent.Fresh BoxMixBox isn’t the first 500‑series‑inspired modular plug‑in by any means. The most obvious antecedent is Slate Digital’s Virtual Mix Rack, whilst PSP’s InfiniStrip is a newer entrant into the market, and SoundToys offer an Effect Rack for chaining their own plug‑ins. None of these can claim to match the total of 70 modules supplied with MixBox, and none feature guitar amps or related modules; however, Slate’s system includes some high‑quality offerings from third‑party developers such as Liquidsonics and Audified. There are also plug‑ins from the likes of DDMF, Nugen Audio and Blue Cat that can provide modular layouts into which your existing VST plug‑ins can be slotted, enabling you to build comparable racks with plug‑ins you already own. These generally offer the sort of routing and splitting capabilities that are lacking from MixBox, too.Talking of which, whilst I recognise the advantages of simplicity, I do feel that the basic ability to split and recombine the signal path internally would have provided a stronger raison d’être for this plug‑in. As it is, apart from the per‑slot wet/dry faders and ability to save entire configurations as a preset, there’s not much that you can do with MixBox modules that you couldn’t do with insert slots in your DAW. How much more creative would, say, the Auto‑Pan module be if you could route its left and right channel outputs into different mono effects modules, before recombining them at the output? And how cool would it be to have envelope follower or LFO modules that could be internally patched to multiple module parameters?Perhaps this sort of functionality is on the cards for a future version of MixBox, but in the meantime, there’s plenty to like about the existing version, not least the value for money on offer. For the price of two or three pro plug‑ins, you’re getting a very large chunk of the functionality available in both Amplitube and T‑Racks, presented in an extremely friendly, immediate and easy‑to‑use format. It’ll be a very long time before you exhaust the possibilities of all 70 modules, and with

How to Mix Vocals with Slate Virtual Mix Rack

And cymbal sounds, Steven Slate Drums SSD5 is a beloved drum tool among many top music creators worldwide. Whether you prefer to construct your own kit or utilize one of the artist-modeled preset kits, this tool's radio-ready drum sounds will spark instant creativity.Besides its impressive drum library, Steven Slate Drums SSD5 houses over 1,000 drag-and-drop rhythms, ready to give your next track a professional percussive polish. The tool's groove library also features an intuitive song-mapping function, enabling you to blend different grooves for each section of your song. You can even export your finished drum track as MIDI for further adjustments in the future. To top it off, Steven Slate Drums SSD5 showcases a completely redesigned interface, simplifying the process of loading drums, shaping tones, and carving out your preferred grooves.MixWaveHave you ever listened to one of your favorite songs and wished you could replicate the drum sounds in your own music? MixWave's artist series of drum libraries lets you do just that, offering you access to the personal kits of some of the world's top drummers. From Tony Royster Jr.'s funky virtuosity to Mario Duplantier's powerful metal beats, these virtual drum libraries feature kits handpicked by each artist, recorded with utmost clarity at MixWave's top-tier studio.MixWave plugins come pre-adjusted with a mix-ready sound, but if you're looking to exert more sonic control, each plugin is equipped with a variety of exciting effects to help you transform the artist's signature tone into your own unique creation.UVI Drum DesignerThe UVI Drum Designer is a powerful tool designed for music producers who specialize in electronic, pop, and hip-hop genres. This innovative drum VST (Virtual Studio Technology) merges the traditional sample-based drum technology with advanced synthesis to offer a modernized approach to rhythm creation.At the heart of this plug-in are four robust drum

Virtual Mix Rack (VMR) by Slate Digital - Mixing and

See Slate Digital at AES Booth #170 Introducing Slate Digital, a DSP company that sets new standards in pro audio plugins. Advanced AlgorithmsThe Slate Digital ADVANCED ALGORITHMS are written from the ground up using revolutionary new techniques in DSP code, based on innovative new technology and science. Within the ADVANCED ALGORITHMS is a complex communication system between the DSP modules, which allows the plugins to achieve new heights in audio processing. All Slate Digital plugins are fine tuned by Steven Slate and chief algorithm engineer Fabrice Gabriel, and then thoroughly tested by some of the audio industry’s top tier mixers, producers, and engineers. The result is some of the finest audio plugins that will help you achieve your musical goals in ways you could only dream about. FG-X Virtual Mastering Console -- Dynamics Modules VST/RTAS/AU The first plugin from Slate Digital is the FG-X Virtual Mastering Console Dynamics module, the initial plugin in the new mastering line. The ConceptImagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music. We have all been at the mercy of the “loudness wars” for over ten years now. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears. Some of the top mastering engineers have found ways to combat this sonic degradation by using techniques other then Peak Limiting. One of the more popular techniques is the use of saturation in both the analog and digital domain. Another popular method is clipping the front end of expensive A/D converters. However, both of these methods, while usually more unobtrusive then peak limiting, have their downfalls. Static saturation curves are not universal in their ability to sound good on all transients. Clipping greatly reduces low end punch and is very poor at retaining sub bass. Both static saturation and clipping have a small window of gain maximizing before audible distortion. Enter SLATE DIGITAL. FG-X DYNAMICS RACKTwo years ago Steven Slate and expert algorithm engineer Fabrice Gabriel started working out the concept for a digital audio process that could increase the. HD/Library/Application Support/Slate Digital/Virtual Mix Rack/Modules. Windows: C:/Programdata/Slate Digital/Virtual Mix Rack/Modules. Note: This folder is hidden by default. slate digital - virtual mix rack - simulador de microfoneaqui neste video venho trazer o slate digital - virtual mix rack - simulador de microfone pra vc c

Virtual Mix Rack 2.0 by Slate Digital

Remain transparent and create worry free masters without artifacts.TRUE MASTERING QUALITY COMPRESSIONSome mastering compressor plugins try to emulate vintage analog units and add color, harmonics, and different filters that change the way your mix sounds. In truth, most top mastering engineers use very little or no compression. When they do use compression, they use only the most transparent compressors that will not alter the tone or balance of the mix. The FG Dynamics plugin is a true mastering quality compressor meant to control the dynamics of your mix in the most transparent way possible, not to color it with digitally modeled harmonics or distortions. The FG Dynamics compressor assumes that you have used your favorite color or tone compressor to achieve the sound on your final mix. It is the job of the FG Dynamics compressor to maintain that quality, not alter it. The advanced dynamics algorithm is so transparent, you’ll wonder if its on!QUALITY TESTEDIn order to fine tune the FG-X Virtual Mastering Console, Slate Digital has had some of the top mastering engineers in the world help us test out the algorithms to ensure that they work in the finest and most accurate way possible. We are proud to say that the FG-X is the ultimate digital mastering solution, and will help you take your masters to new heights.ConclusionThe Slate Digital FG-X Mastering Suite will change the way you make music, and listen to music. Loud masters aren't going away, so the only option is MAKE LOUD BETTER. The FG Level is such a powerful tool, that you can maximize a mix to commercial mastering levels and have the result sound just as punchy, dynamic, and exciting as the original mix. HEAR THE FG-X VIRTUAL MASTERING CONSOLE at AES booth 170, please PM me for appointments! Many sound clips, videos, A/B's, and more coming soon toSlate Digital Lives for gear Joined: Feb 2008 🎧 15 years Nice But perhaps im blind... Is this a plugin for any DAW (TDM/RTAS/VST/AU?) or a standalone programme? Do you need a DSP card that eats a slot?A yes its confirmed... im blind... lucky im not deaf lol... Registered User Joined: Apr 2004 Posts: 474 🎧 20 years Quote: Originally Posted by LeMauce ➡️ Nice But perhaps im blind... Is this a plugin for any DAW (TDM/RTAS/VST/AU?) or a standalone programme? Do you need a DSP card that eats a slot? VST/RTAS/AUI am

Slate Virtual Mix Rack - Everything Recording

Stunning accuracy.Studio Quality Rack Gear:Elite takes you straight to the heart of the world's best studios by providing studio-quality rack gear modeling. These meticulously crafted virtual rack units emulate renowned pieces of gear that have shaped the sound of countless legendary recordings. From iconic compressors to EQs and reverbs, Elite ensures your guitar tone not only stands out but also competes with the finest studio productions.Import Third-Party Cabs and IRs:Cabinets play a pivotal role in defining your guitar tone, and Elite lets you take control like never before. While Standard lacks this feature, both Pro and Elite users can access the BIAS FX 2 IR loader. However, Elite users truly stand out as they can import their favorite third-party cab IRs. This opens the door to infinite tonal possibilities. Experiment with different cab impulses, mix and match, and craft your unique signature sound.In the world of guitar tone, BIAS FX 2 Elite isn't just an upgrade; it's a transformative experience. With an unparalleled collection of amps, effects, studio-quality rack gear, and the ability to import third-party cab IRs, Elite empowers you to express your creativity like never before. Elevate your tone, broaden your horizons, and make your music shine with BIAS FX 2 Elite. Upgrade today and let your creativity soar.. HD/Library/Application Support/Slate Digital/Virtual Mix Rack/Modules. Windows: C:/Programdata/Slate Digital/Virtual Mix Rack/Modules. Note: This folder is hidden by default. slate digital - virtual mix rack - simulador de microfoneaqui neste video venho trazer o slate digital - virtual mix rack - simulador de microfone pra vc c

Slate Digital Virtual Mix Rack - AlternativeTo

Transient peaks are controlled. Start by setting the makeup gain equally across all bands. If you aren’t compressing by more than a couple of dB, you don’t need more than a couple of dB of makeup gain. For finer control, go into the individual bands to offset the makeup gain in specific ranges if needed.Four bands of compression, each with unique settings, are used on the Master Bus.SaturationThese days the holy grail of “in the box” mixing is the ability to emulate analog circuit components and characteristics. Specifically, console inputs, tubes, transformers, tape machines, and tape saturation, are emulated to add Harmonic distortion<!-- wp:paragraph -->Electronic circuitry creates distortions or added content which is partly comprised of signals that are whole multiples of the fundamental frequencies of the original signal. This type of distortion is known as harmonic distortion. (See also: total harmonic distortion)<br/><!-- /wp:paragraph -->" href=" data-gt-translate-attributes="[{"attribute":"data-cmtooltip", "format":"html"}]">harmonic distortion, phasing, crosstalk, and other hardware-based anomalies. These can range from subtle and barely noticeable to exaggerated and too extreme.With some gentle Master Bus compression in place, I am an advocate of deviating from the top-down dogma and starting off the signal flow on each channel strip or subgroup with a subtle amount of analog emulation. An accumulation of subtle differences results in a not so subtle difference to the track overall. In other words, a little, compounded across most if not all tracks and/or subgroups, goes a long way.Single purpose plug-ins like this need to be simple to use. Too many options make it too easy to overcook the effect before it is fed into more processing downstream. I find myself often turning to the Hollywood, London, & New York preamp emulations included in the Slate Virtual Mix Rack. It’s simple to dial in the right amount without overdoing it. The inclusion of a Mix knob is a nice bonus that allows for a wider range of color by pushing the saturation and resultant Harmonic<!-- wp:paragraph -->A harmonic is a wave with a frequency that is a whole multiple of the fundamental or base frequency. A 60 Hz tone can have harmonics of 120 Hz (2nd harmonic), 180 Hz (3rd harmonic), 240 Hz (4th harmonic), etc. Even harmonics are often described as warm and round while odd harmonics are often described as more aggressive or grittier.<br/><!-- /wp:paragraph -->" href=" data-gt-translate-attributes="[{"attribute":"data-cmtooltip", "format":"html"}]">harmonic Distortion<!-- wp:paragraph -->Distortion simply means "altering.” In audio, distortion implies a change that adds unwanted harmonics or noise to a signal. Guitar amp distortion is desirable while mic preamp distortion is usually undesirable. Common types of distortion include clipping, frequency distortion, intermodulation distortion, transient intermodulation distortion, and phase distortion. All these types of distortion are usually combined and referred to