Show cues

A Sound Control System Designed By Professionals For Professionals- Concept by Shawn Popp- Programmed by Carl AndrewsGet rid of your bulky laptop. Show Cues runs your entire show with a device you already carry with you—an iPhone/iPad or iPod Touch!What's the difference between Show Cues and other sound devices? About $1500! Show Cues doesn't run lights, flash pots or make coffee. But, if you're looking for something super-simple and sure-fire, this App really does the trick. In fact, you can bundle Show Cues with the purchase of a new iPad and it would still cost less than other sound devices on the market.FEATURES:— Real-Time Clock — Unlimited Playlists— Large Track Title Display— Loads Any Track From Your iDevice— Indicator Light Buttons Show Playback State— Countdown Timer With Visual And Sound Warning— Play/Pause, Fade-Out And Auto-Pause At Next Track— Plugs Into Any Type Of Sound System (cables sold separately) — Works Manually Or With Custom Remote Control (remote sold separately)

Show Order State Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum. --> No Show Selected ----BETA --> BETAfolder_open --> saving... --> Account Info --> Welcome Unknown Human! Login --> Looks like you don't have a show selected... Create a new show to begin editing Click to add a blank event --> Event Time Channel Cue Firework Name Duration Igniter Pre-fire Lift Time Custom --> Looks like you don't have any events... Let's fix that by adding an event Total Events: 0 Pyro Events: 0 DMX Events: 0 Cues: 0 Unaddressed Events: 0 STEPS: 0 Alternates: 0 Total Rows: 0 Total Cues— 0 --> Total Rows: 0 Comments: Alternates: 0 STEPS: 0 Unaddressed Events: 0 Cues: 0 DMX Events: 0 Pyro Events: 0 chevron_leftTotal Events—0 Fireworks & DMX Effects note_add Add No Fireworks Add fireworks so they can be used in your shows Add A Firework Firework Name Duration --> 0" @scroll="myFireworksInfiniteScrollOnScrollHandler($event)"> Brand Category Part Number Duration Lift Time Shots Cost Available Inventory Qty in Show Can not have a Tr element for drag and drop to work--> add Firework Name {{ MY_FIREWORKS_CATEGORIES[column] }} close --> --> playlist_add word[0]).join('').substring(0,2).length {{ my_firework.name.substring(0,2) }} {{ my_firework.name.split(' ').map(word => word[0]).join('').substring(0,2) }} ? {{my_firework.name}} {{ my_firework.effect }} {{ my_firework[column] != undefined ? my_firework[column] : 0 }}0--> {{my_firework[column].toDisplayableCategory()}} {{ my_firework['quantity_available'] }} {{ my_firework[column]

The Options toolbar, and apply any masking options that might be necessary. Page 42: Cues, Cuelists, And Pages Cues, Cuelists, and Pages This chapter covers cues, cuelists, and pages. You’ll learn how to edit, copy, and work with all three items. Manipulating Cues Viewing Cuelists To see a list of the cues within a cuelist, hold down Pig and press Choose button for desired fader’s cuelist. Page 43: Summary Of Recording Options Select fixtures and adjust parameters. Hit Update. The command line will show Auto Update. A window will pop up showing all the cues and palettes that have been over-ridden. Note, the current cue of the “selected” master will always be selected by default. If the window does not pop up, then either you have not made any adjustments in the programmer, or you already had something Loaded. Page 44 different ways to achieve a wide selection of looks. This would not be possible if the console always stored values for each parameter. However, this system can occasionally be confusing, and sometimes recorded cues don’t appear the same during playback as they did while in the programmer. This problem usually has one of two causes: 1) Active cues on the playback masters while recording. Page 45: Cuelists However, you can use the control panel window button “Edits Track Forward” to change the default. Merge and Remove Use these options after Record and Copy (Merge only) to combine or remove fixtures from existing cues rather than insert new cues. Masking/Use As we’ve seen, it’s possible to filter out Intensity, Focus (Position), Colour, Beam, or Time settings by pressing the relevant Use button(s) on the toolbar while recording (the default setting of the Use buttons is... Page 46: Pages Press ENTER. HOG 500 users: If you do not have an external keyboard connected to your console you will not be able to enter cue names and other alphanumerical information. HOG 1000 users: If the external keyboard is not present but selected in the Control Panel window, you will not be able to change the name of the cuelist. Page 47 The page is now the current page. Any changes you make as to which cuelists are on which masters will now affect this page. Creating a New Page To create a page, just press an empty page button, or press Page and an unused page number. As elsewhere, you can name

Someone to program/automate/run your show or space) visit my website at or you can donate directly to me (right now all funds will go to upgrading my QLab license) over at you have any issues getting things to run just post an issue and I'll do my best to get things worked out for you! If you can, please leave the first comment line in the scripts unchanged so if anyone stumbles on these scripts in your workspace in the future they can find their way back here to get help if needed!Some of the cues may seem similar, that's because I've created a few options for some cues with the "same" functionallity that may have a few extra features or be slightly more open for people looking to use the scripts in more advanced cases! Scripts/cues marked with "Flagged" mean they offer some sort of additional functionallity when that cue is flagged. Other differences may vary slightly, but I'll try and keep some consistent naming conventions so it's easy to figure things out! I may end up organizing things a bit different later to make things easier to understand!

Almost seems to show a different dataset, even though nothing has changed other than the angle from which we look at the dots.Figure 26.3: Fuel efficiency versus displacement and power for 32 cars (1973–74 models). Each dot represents one car, and the dot color represents the number of cylinders of the car. The four panels (a)–(d) show exactly the same data but use different perspectives. Data source: Motor Trend, 1974.The fundamental problem with such 3D visualizations is that they require two separate, successive data transformations. The first transformation maps the data from the data space into the 3D visualization space, as discussed in Chapters 2 and 3 in the context of position scales. The second one maps the data from the 3D visualization space into the 2D space of the final figure. (This second transformation obviously does not occur for visualizations shown in a true 3D environment, such as when shown as physical sculptures or 3D-printed objects. My primary objection here is to 3D visualizations shown on 2D displays.) The second transformation is non-invertible, because each point on the 2D display corresponds to a line of points in the 3D visualization space. Therefore, we cannot uniquely determine where in 3D space any particular data point lies.Our visual system nevertheless attempts to invert the 3D to 2D transformation. However, this process is unreliable, fraught with error, and highly dependent on appropriate cues in the image that convey some sense of three-dimensionality. When we remove these cues the inversion becomes entirely impossible. This can be seen in Figure 26.4, which is identical to Figure 26.3 except all depth cues have been removed. The result is four random arrangements of points that we cannot interpret at all and that aren’t even easily relatable to each other. Could you tell which points in part (a) correspond to which points in part (b)? I certainly cannot.Figure 26.4: Fuel efficiency versus displacement and power for 32 cars (1973–74 models). The four panels (a)–(d) correspond to the same panels in Figure 26.3, only that all grid lines providing depth cues have been removed. Data source: Motor Trend, 1974.Instead of applying two separate data transformations, one of which is non-invertible, I think it is generally better to just apply one appropriate, invertible transformation and map the data directly into 2D space. It is rarely necessary to add a third dimension as a position scale, since variables can also