Pidgeon bible

How do I view e-Sword Modules? Download the e-Sword Module Installer Author: Public Domain, Edits by Stephen Pidgeon and Bradford Huckins e-Sword Version: 9.x - 10.x Tab Name: The Eth CEPHER Suggest New Tag:: the eth cepher, eth cepher, cepher bible, hebrew to english bible Description: The Eth CEPHER is a comprehensive restoration of sacred scripture in the English language, which sets forth an English pronunciation of the Sacred Name, contains all Aleph-Tav modifiers, transliterates over 3100 names and places, and includes all the books of the traditional Canon, the DeuteroCanon (Apocrypha) and established ancient texts including Chanok (Enoch), Yovheliym (Jubilees), Yashar (Jasher) and Baruk Sheniy (2 Baruch). The text is based on the Hebrew Masoretic text for the 39 Canonical Old Testament books, the Septuagint for the DeuteroCanonical (Apocryphal) books, and established translations for Chanok, Yovheliym, Yashar, and Baruch Sheniy.The Eth CEPHER for e-Sword is a 66 book version. Full description and and more at www.cepher.net.This is now available for both Mac and PC users. After choosing to download, choose the Mac file if you're using mac and theethcepherwin10.zip for PC.

Be maybe the first 30 minutes before you’ve really gotten to know each other.” It’s easy to feel rushed when you’re taking someone’s picture, but one of the keys to taking a good portrait is to allow the time to connect and consider. Naba Zabih, a wedding and engagement photographer, says that even in the flurry of a big event, it’s important to take time to compose an image that you’ll be proud of. She continues, “Especially when everything’s digital and super fast-paced, just stop, and compose, and think about the shot before you actually take it.” Keep in mind that with a portrait photo, you’ve got an extra variable to consider: “People are people,” Zabih says, “so they are definitely going to be harder to shoot than something that’s still — they’re going to move. They blink.” 2. Go with the flow. Pidgeon notes that every session will be different, so you’ll need to stay alert to your subject — some will be more available than others. “I think it depends on the person — where they’re at, what’s going on, whether they want to be there. A lot of times, they don’t,” he says. “A lot of times, they’ve had five things lined up before you, and they’ve got another five after you, and they’re just watching the clock. Some people will say, ‘Yeah, let’s do something cool.’ And some people will say, ‘Let’s get this over with.’ Some people are really shy. Getting a feel for their level of engagement directs a lot of it.” 3. Get attuned with your setting. When you have a sense of the person you’re working with, then turn your attention to the room. Pidgeon suggests asking yourself, “Are there natural light sources? Is it a situation where I’m going to use harsh lighting, soft lighting, direct, indirect? What’s going to tell this story?” Indoor vs. outdoor lighting for portrait photos. So many elements of portrait photography rely on intuition over technical control, so it’s useful to be able to identify or arrange great lighting for your portrait session from the start.

Will start out using automated program modes to shoot. Those can be very helpful as you begin, allowing you time to connect with your subject and concentrate on lighting, but Pidgeon warns that they can ultimately hamper your progress. Take off the training wheels. “A program can give you the basics, but I don’t think you can get very creative,” Pidgeon says. “The program is there to keep you within the range of ‘this will be fine.’ But if you’re getting into photography, you want more than fine. You have to use manual mode to get that nuance. And that’s scary — a lot of people think, ‘Hey, this particular program mode works great. I got awesome photos in this situation. I don’t want to let go of that.’ And then suddenly you’re in a different situation, and it doesn’t work. The program was doing the work for you, doing all the math for you, and making a lot of decisions. So then you have to go back and figure out how exposure works.” Learning those manual camera settings for portraits and getting access to more nuanced decisions means you can get much more creative, artistic portrait photography. Get creative with composition. And there’s no need to stop with refining your use of exposure. Alex Tan, a photographer and designer based in Los Angeles, encourages even more experiments. He says, “I think filling the frame is really interesting: when there’s parts of an image that aren’t necessarily fully in the frame or there’s a subject that’s very much in the foreground and maybe covering a third of the frame. I feel like I’ve transitioned a lot lately from taking portraits of people that were perfectly centered in the frame on really clean backgrounds to ‘What would that look like if the camera was actually in this room and it was behind somebody or looking over somebody’s shoulder?’” Lead with emotion. All of this harks back to that foundational element of portrait photography. Tan says, “This is probably a general rule of thumb for a lot of photography: Story is king.

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Around the world on three accounts for trade purposes. His scientific interests inspired the great works of Charles Darwin while navigational skills and exploratory voyages that extended imperial and commercial interests around the globe prompted the colonization of Australia. 9. Jeanne Baré Jeanne Bare was the first woman in history to circumnavigate the earth. She was a member of the Louis Antoine de Bougainville's voyage expedition that embarked on a round-the-earth trip between 1766 and 1769. Jeanne masked herself as a man and bordered the Etoile ship in pursuit of plants for her botanical profession. By the time of her death, Jeanne left behind a vestige of plants, seeds, and shells that have been preserved in the national d’histoire naturelle Museum providing future generation with insights of different parts of the world. 8. Robert Gray Robert Gray was an American trade merchant and sea captain famous for connecting trading voyages in the north Pacific coast of North America between 1790 and 1793 hence pioneering the famous American maritime fur trade in that region. It was through this voyage that Gray completed the first American circumnavigation of the world and discovered the Colombia River in 1792 while exploring the coastline of Oregon County. 7. Adam Johann von Krusenstern and Yuri Lisyansky The first Russian circumnavigation took place took place in 1803 and was funded by a Russian-American Company headed by Adam Johann von Krusenstern. The voyage involved a two-ship expedition, Hope under the command of Krusenstern and Neva under the command of Lisianski. The aim of the expedition was for Russia to establish trading partnerships with China and Japan as well as examine California as a probable colony in South America. 6. Faddey Bellingshausen and Mikhail Lazarev Bellingshausen was a prominent cartographer appointed to head the Russian expedition in exploring the Southern Ocean and finding land in the proximity of the South Pole. Mikhail Lazarev was second in command to Bellingshausen and prepared the expedition to Antarctica in 1821. The pair circumnavigated the globe twice and never lost each other on the two trips. 5. Joshua Slocum Joshua Slocum was a Nova Scotian American seaman and adventurer who became the first person to circumnavigate the globe single-handedly. He documented his adventures in his award-winning bestseller, Sailing Alone around the World. Joshua sailed using one of the gaff rigged sloop oyster boats he rebuilt in Massachusetts and named it the Spay. He disappeared aboard his boat in 1909 while exploring the Amazon River. 4. Harry Pidgeon Harry Pidgeon was a renowned American sailor and an enthusiastic photographer who set the record as the second person to circumnavigate the globe single-handedly. He was also the first person to use the Panama Canal as the circumnavigation route and also the first solo circumnavigator to go round the earth twice. On both trips, Harry used a 34-foot yawl, which he constructed by himself. Prior to his first trip in 1921, Harry had no experience sailing and relied on adventures from a book in the local