Neutron synth

Gear Head Joined: Sep 2018 Posts: 30 🎧 5 years Behringer Neutron Synth - Recording / Computer connection Dears, I bought the Behringer Neutron Semi-Modular Analog Synth - Behringer Neutron Semi-Modular Analog Synth | SweetwaterI have a problem with the connection between the Neutron and the computer and an addition issue with a connection to an audio mixer. Please have a look below.QUESTIONS1. I connected a USB cable from my computer to the Neutron device and pressed play at the VST instrument but I see no transportation of the sound from the computer to the Neutron device. Isn't it a "plug n play" operation? Do I need any additional material or adjustments for the transportation of the sound between the computer and the Neutron?2. Regarding the recording of the Neutron sounds to the computer, what type of cables and process do I have to implement (from the Neutron's side)?3. What type of cables I need for the connection of the Neutron to an analogue mixer (Behringer XENYX-Q802 USB ) ? I also bought this Behringer analog mixer and waiting to recieve in the next days. Gear Guru Joined: Apr 2009 🎧 15 years 1. The USB on the Neutron is for MIDI. You'll need to send a MIDI sequence to it to get it to play.2. Usually just 1/4" to 1/4" instrument cable, but it depends on your interface.3. Usually just 1/4" to 1/4" instrument cable, but it depends on your mixer. Lives for gear Joined: Jan 2007 🎧 15 years 1. as Derp said, you'll want to connect a USB-cable from your computer to the Neutron to transmit MIDI data (notes that you play on a keyboard or notes that you draw into the MIDI editor of your DAW software) FROM the computer TO the Neutron. This will make

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Whether you’re just starting to create your own music at home or you’re a professional looking for some new mixing tools, Neutron Elements has the assistive technology you need to get a professional-sounding mix quickly. Neutron 5 Elements delivers a powerful control center to perfect your sound in one affordable package. Learn more about its easy, step-by-step workflow that will help you mix smarter and faster while staying in your flow.Hear how Neutron can quickly add polish and clarity to your mix: Mix Before & After Neutron Getting started with Neutron Elements 1. Use the Assistant toolAdd Neutron 5 Elements to your individual tracks in your DAW. You will see a big, prominent “Go” button in the center. Click it to get started. Once the button is pushed, Neutron waits for audio to be played. Play a portion of the audio where the track is at its loudest (like the chorus). Neutron will then begin its AI-powered analysis and set up your signal chain. When you activate the Assistant, you’ll notice you no longer have to click through a series of questions for the Assistant to generate results. As soon as you press play, the Assistant is ready to analyze your audio. You will then be presented with a new Neutron Elements interface, complete with target-oriented processing, reference matching technology, and intent-based controls that will help you get your desired sound faster. 2. Choose your target soundOn the left hand side you’ll also see the new Target Library. This section gives you the ability to teach the assistant the spectral profile you want for your track so it can produce recommendations based on your intentions. You can choose from any of the target presets available in Neutron or you can import your own samples or stem audio as references for the Assistant to match. Love the tonal qualities of a certain bass guitar, kick drum, piano, or synth track? Load it into your Target Library to enable the Assistant to match your track to that reference. You can also automatically import references captured with iZotope Audiolens, a new, groundbreaking tool that allows you to analyze audio from any streaming platform or audio source, without the need for downloading media files or setting up tedious audio routing setups. Learn more in our recent Audiolens overview. 3. Control your tonal balance with Tonal Balance Target CurveOnce you have a tonal balance target

Done in a more subtle way for all sorts of genres, and is especially useful when you want a percussive and low end instrument to really inhabit similar areas of the low end in your mix.By using a send on your percussive low end track, send it to a side chain input on your low end instrument, in this example, using the Neutron Pro inserted onto this SH101 synth bass track. You can see the side chain input bus on the top left on the screen below. The hit of the kick drum now triggers the compression on the synth bass, and it can be adjusted just as you would normally use a compressor. For a subtle bit of low end clarity, try getting your sidechained track to compress a couple dB on impact, and time the attack and release to allow just the amount of time needed to duck during a single hit. In the example above, I’m going one step further by using the Oscilloscope view in Neutron Pro (the sine wave button below the modules) to visually monitor what happens to the waveform of the synth bass as it’s being processed by the compression, while also showing the kick drum waveform. This is super cool, and so useful for having an eye on what’s happening. You can also see how attack and release change the waveform, which gives you a visual leg up on leaving that perfect amount of time for the kick to cut through!Here’s a subtle but noticeable audio example of how this sounds: Additionally, you could also sidechain a multiband compressor or dynamic EQ inside of Neutron Pro to repeat duck just the low end while your percussive element is happening. That means that everything past your crossover or outside your frequency band will remain the same while the compression is happening. This is especially useful when you’re looking for an even more imperceptible way to make some space in the low end. 5. Use different monitoring platforms to listen to the low endUnless you’re in a finely tuned studio environment, you might not have the best system for hearing your low end. Although, if you’ve got perhaps, a car, a set of studio monitors, a home speaker system, and some headphones, you’ve got several listening environments to notice trends that can help you make a good call. Listen back to your mix on all your speaker systems and headphones. Take note of what works and what doesn’t. If the mix sounds consistently muddy in the low-mids or lows, you know you have a problem. 6. Use references and a frequency analyzers to keep yourself honestI firmly believe in stacking your mix against two or three reference tracks. It keeps you honest—especially in the low end, where your monitoring situation, headphone choice, and sheer love for the lows can trick you into overhyping the bass in an unprofessional way.As you’re listening back on your different platforms, play some music that’s familiar to you and

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