Jazz chord voicings

Author: b | 2025-04-24

In the previous Jazz Chord Voicings lesson, we learnt how the most common jazz chords are constructed. Now can begin to learn some useful voicings. The Jazz Guitar Chord Voicings in this lesson are designed to ‘get you through the tune’. They are the first jazz chord voicings that most guitarists learn, and will remain a part of your Jazz Improvisation Tips; Jazz Chord Voicings. Rootless Chord Voicings; Thelonious Monk Chord Voicings; Bud Powell Chord Voicings; Three Note Voicings; Open Chord Voicings (Spread Voicings) So What Chord; Kenny Barron Minor Chord Voicing; Herbie Hancock Minor Chord Voicing; Quartal Chord Voicings; Upper Structures; Four Way Close, Locked Hands

Chord Voicings for Jazz Piano

And students. Learn to play essential jazz patterns to increase your playing skills. 25 pentatonic licks Did you know that there are several pentatonic scales ? This jazz guitar method is an eBook available as a PDF with standard notation, guitar tabs, diagrams, analysis, audio files and backing tracks. You will find in this booklet 25 easy jazz guitar lines built with common and rare pentatonic scales. 20 II-V-I jazz guitar licks The 2-5-1 sequence is the most common chord progression found in jazz music.It's a must know for anyone who wants to learn jazz language.This method is a printable PDF eBook with 20 II-V-I jazz guitar lines both in major and minor keys that will help you expand your improvisation skills over this chord sequence. 5 Jazz blues arpeggio studies A printable PDF eBook with tabs and standard notation containing five guitar studies that will help you to master arpeggios over a jazz blues progression. Many topics are discussed, dominant 7, minor 7, diminished arpeggios. 50 II-V-I voicings How to comp a II-V-I chord progression on guitar with drop 2, drop 3 chords, rootless and inverted voicings. This efficient method is a printable PDF eBook that contains 50 exercises with analysis, tabs & standard notation that will help you to play the essential jazz guitar chords over the famous II-V-I progression. 11 blues jazz studies This PDF method contains 11 guitar lessons with chords, tabs, standard notation, analysis & audio files about the main blues progressions used in jazz music. The purpose of these studies being to hear, play and understand the main jazz-blues changes by using different chord voicings as drop 2, drop, 3, rootless. 11:45:09] 48 Guitar Triads with Diagrams And Theory Mastering the altered scale This PDF eBook method contains 25 altered jazz guitar licks with Understanding the theory behind chords, make sure to check out our course Jazz Theory Unlocked…Dominant 7 Chord Alterations – Understanding Chord VoicingsSo now that you have a subway-map, literally, of dominant chords in your brain, you should have a pretty easy time understanding how dominant chord voicings are constructed and why there seem to be so many different “flavors” of a dominant seventh chord.A chord voicing is that mysterious group of notes that the piano, guitar, or any other “chording” instrument is playing behind you while you’re soloing. The act of playing these chord voicings in succession as in a chord progression is called “comping”.The thing is, when someone is comping, it’s up to them what specific chord voicings they use. Sure, the jazz standard you’re playing may specify certain chords, but it’s largely up to the comping instrument to interpret the chords in the moment and respond accordingly depending upon where they hear the music heading.For example, over a dominant 7 chord heading to the tonic, they might add a b9, or #11. Or they might play a natural 9 with a #5.It sounds complex, but when you break it down, it’s really not.Let’s take a look at how easy it is to construct a dominant 7 chord voicing with some alterations.It all goes back to two things:Which notes you include/omit in the chord voicing – In our examples, we’ll include: 1, 3, 7, 9, 13What order you play the notes in – In our examples we’ll make the order: 1, 7, 9, 3, 13We’ll construct three different dominant seventh chord voicings.In all of our chord voicings we will include the root, the 3rd, and the 7th along with either a natural or altered version of the 9th and 13th.By keeping the voicing in the same structure but gradually

Chord Voicings for Jazz Piano - Jazz Tutorial

Tabs, patterns, scale charts and audio files to learn to master the altered scale. How to develop the altered scale, how to apply it to the V of a II-V-I sequence. 40 Blues Dominant patterns This printable method is available as a PDF file containing 40 easy dominant jazz-blues guitar lines with tabs, standard notation, analysis and scale charts. 25 soul jazz guitar licks You will find here an eBook available in PDF containing 25 soul jazz and hard bop guitar licks with tabs and standard notation in the style of Grant Green, Melvin Sparks, George Benson.These jazz lines come with tabs, standard notation, guitar neck diagrams, backing track for practice and 25 audio files for each riff. 25 dominant diminished licks This eBook PDF contains 25 dominant diminished jazz guitar patterns using the half-whole diminished scale and some diminished 7th arpeggios. 25 minor jazz guitar licks This printable PDF eBook contains 25 minor jazz guitar licks with tabs, video links, analysis. How to play modes, scales & arpeggios over minor chords. 5 Tritone substitution licks The tritone substitution is explained through 5 jazz guitar licks with tabs/notation, youtube video links and backing track links. Printable PDF eBook CHORD DIAGRAMS DIMINISHED TRIADS TRIAD CHORDS DIAGRAMS GUITAR DIAGRAMS AUGMENTED TRIADS GUITAR CHORDS MAJOR TRIADS MINOR TRIADS TRIADS Related posts Extended Major 7th Chords | Guitar Diagrams & Voicings In music, extensions are notes added beyond the seventh of basic voicings, they are used to create a more complex sound. This jazz guitar lesson provides some chord voicings with neck diagrams and formula charts to play extended major seventh chords as Cmaj9, Cmaj#11 and Cmaj13 on the guitar. 11:45:09] 48 Guitar Triads with Diagrams And Theory What's a Half-Diminished Chord (m7b5) This lesson show you how to play half diminished guitar chords. In the previous Jazz Chord Voicings lesson, we learnt how the most common jazz chords are constructed. Now can begin to learn some useful voicings. The Jazz Guitar Chord Voicings in this lesson are designed to ‘get you through the tune’. They are the first jazz chord voicings that most guitarists learn, and will remain a part of your Jazz Improvisation Tips; Jazz Chord Voicings. Rootless Chord Voicings; Thelonious Monk Chord Voicings; Bud Powell Chord Voicings; Three Note Voicings; Open Chord Voicings (Spread Voicings) So What Chord; Kenny Barron Minor Chord Voicing; Herbie Hancock Minor Chord Voicing; Quartal Chord Voicings; Upper Structures; Four Way Close, Locked Hands

Jazz Chords and Voicing Techniques - Jazz-Library

Play better chords…with better voicings.No more getting stuck on a chord you don’t know. No more weak voicings and poor voice-leading.Adam Maness helps you master six crucial chord types and guides you through the go-to voicings that every jazz pianist should know:Rooted 5-note voicings for solo pianoRootless 4-note voicings for playing with a bassistRootless Left Hand voicings for accompanying yourselfAnd with our exclusive Guided Practice Sessions you won’t just be fed information without a plan. You’ll practice with Adam to train and ingrain these chords in all 12 keys, so you fully absorb them in your playing fast and forever.LEVEL 112 videos2.5 hourSGuided Practice SessionSPDF WORKBOOKSubtitles: EnglishMeet Your InstructorAs Open Studio’s Creative Director, Adam Maness develops the curriculum of all of the courses, in addition to teaching his own popular course like Magic Voicing System, Piano Fingering Independence and more. Adam is a versatile pianist, arranger, composer, and producer whose performances, original compositions, and arrangements have been featured on numerous recordings and on national and international radio and television broadcasts. He is best known as co-founder and composer for the genre-bending chamber ensemble, The 442s.Course Contents Start Here Welcome – Basic Chords Rooted 5-Note Voicings LessonGPS #1GPS #2GPS #3 Rootless 4-Note Voices LessonGPS #1GPS #2 Rootless Left-Hand Voicings LessonGPS #1GPS #2 Three of these voicings sound quite different, but are still dominant chords?Now for this sound, jazz theory calls for the altered scale because it contains the b13/#5. But, just as I said before. Know the theory but also know that there are plenty of other ways to think about and play over this sound.Remember. It’s a SOUND. That’s right, a sound is going on behind you while you improvise. A scale choice does its best job to guide you to the strong notes of the voicing, however, by conceptually knowing and having the ability to hear the chord voicing, you can craft lines that are structured around the chord-tones in the voicing without relying so heavily on jazz scale or theoretical knowledge.And if you really want to get into hearing the specifics of chord voicings, The Ear Training Method goes through a ton of them in a systematic way.Sometimes there are things that no matter how many times somebody tells them to you, they’re still confusing…The solution: find a totally different way to conceptualize the information. And when it comes to jazz improvisation, visuals can help explain relationships to us and give us a better idea of what’s happening, whether it be harmonic, melodic, or even rhythmic.It’s my hope that the diagram I’ve shared with you today sheds some light onto the mysterious altered dominants for you.Spend some time with the subway-map of dominant 7 alterations and make sure you’re seeing all the information that’s there. Then:Work through the first diagram in all keys – Try writing it out in another key, or just saying the notes aloud in a new keyQuiz yourself on quickly knowing what the alterations are for every dominant chord. Start with the b9 and work through all the alterations in all keys. Our Visualization Course

Jazz Piano Chord Voicings - Chord Voicing Rules - YouTube

VoicingsIMPROVISATION: Using “in-position” arpeggiosPROGRAM: Unit 4 practice routine Unit 5 THEORY: Other chord typesFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 5 practice routine Unit 6 THEORY: Slash chordsFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 6 practice routine Unit 7 THEORY: Chord familiesFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 7 practice routine Unit 8 THEORY: Diatonic substitutionFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 8 practice routines Unit 9 THEORY: ModulationFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 9 practice routines Unit 10 THEORY: A guide to common chord symbolsFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePROGRAM: Unit 10 practice routine LEVEL 8 Unit 1 INTRODUCTION: Understanding chord tones in soloing, in-position arpeggios, 13 common jazz progressions, vocabulary development, vocabulary as finger paths, harmonic analysis in jazz—perceived modulations Unit 2 FRETBOARD LOGIC: Review in-position arpeggiosCOMPING: Constructing walking bass lines while comping when chords change every 2 beatsIMPROVISATION: “Connecting” arpeggios in major II-V-I progressions 1 and 2 Unit 3 COMPING: Constructing walking bass lines while comping when chords change every 2 beatsIMPROVISATION: “Connecting” arpeggios in major II-V-I progressions 3 and 4 Unit 4 THEORY: Avoid tonesCOMPING: Constructing walking bass lines while comping when chords change every 4 beatsIMPROVISATION: Lick writing, lick-writing worksheet Unit 5 THEORY: Functioning and non-functioning dominants, altered scaleCOMPING: Constructing walking bass lines while comping when chords change every 4 beats Unit 6 THEORY: The melodic minor scaleCOMPING: Shell voicings Unit 7 THEORY: The melodic minor scale correlation with altered scaleCOMPING: Shell voicings Unit 8 COMPING: Guide tonesIMPROVISATION:

How to Play Jazz Piano, Jazz Chord Changes, and Chord Voicings

Home --> Download the free demo in key C | no ads | Subscription € 1.- ($1) per year for full access (in-app-purchase) Complete library of CHORDS, ARPEGGIOS and SCALESDisplayed in all useful VOICINGS for guitar and pianoPop, Jazz, Latin, Rock, World-, Classical musicCHORD and SCALE ANALYSISVariable playback functionIn all keys 59 chords and arpeggiosMajor, Minor, Dominant 7, Major 7, Sus 2, Sus 4, Diminished, Augmented, Minor 7, Minor 6, 7/9/#11/b13, Power Chords, etc. …In all guitar positionsNarrow and wide piano fingerings (voicings)Up to 15 voicings per chord and keyColor-code tones by function or interval (root / third / fifth / seventh / tension)Select guitar-to-piano (or vice-versa) 66 scales of modern music and jazzmajor, minor, pentatonic scales, modern modes, melodic minor modes, harmonic minor modes, harmonic major modes, jazz, blues, bebop, …)61 scales of world musicArabic, Chinese, Japanese, Jewish, Indian, Roman, …In all guitar positionsSelect guitar-to-piano (or vice-versa) Determine chords and scales after entering at least 2 notes on either the guitar or pianoDisplay multiple resultsIdentification of excerpts from chords and scalesUseful and informative ranking of bass tone, number of tones, and complexityDirect transfer of the analysis results to normal display mode Left-handed guitarChange between # and b keysDisplay of enharmonic equivalentsClassical notation in the treble clef8 basic chords and 6 standard scales for beginnersSystematic display of chords and scales in a matrixIntervals at a glanceComparison of harmonic structure Adjustable Player for both ear and vocal trainingLast but not least, you can also jam on the app itself on either guitar or piano! 🙂. In the previous Jazz Chord Voicings lesson, we learnt how the most common jazz chords are constructed. Now can begin to learn some useful voicings. The Jazz Guitar Chord Voicings in this lesson are designed to ‘get you through the tune’. They are the first jazz chord voicings that most guitarists learn, and will remain a part of your Jazz Improvisation Tips; Jazz Chord Voicings. Rootless Chord Voicings; Thelonious Monk Chord Voicings; Bud Powell Chord Voicings; Three Note Voicings; Open Chord Voicings (Spread Voicings) So What Chord; Kenny Barron Minor Chord Voicing; Herbie Hancock Minor Chord Voicing; Quartal Chord Voicings; Upper Structures; Four Way Close, Locked Hands

What Is a Jazz Piano Chord Voicing? - Jazz Tutorial

V/IV, V/V, and V/vi).In the example above, note the use of the b9 in the V chord in bar 2. That is just one of numerous options that can be used to extend the chord. Here are some examples:Remember: jazz musicians would see all of these chords as A7. They just see different colors applied to each. Also note that these extended chords do not include the 5th. The 5th is unnecessary in a dominant chord; in fact, it sounds a bit clunky when included. By the way, you do not see many chords labeled as augmented either. If you see a sharp 5, that is normally considered a flat 13th.That leads us to the second distinctive that I mentioned: voicing (where the notes are positioned on the keyboard). If you start using extended chords, you learn very quickly that voicing is critical to making them work. An A7 with a b9 and b13 can be played in numerous positions (voicings) on the keyboard but they do not all work. In fact, some of them will sound horrible.For this reason, voicing and color are actually almost the same thing. You cannot use color if you don’t understand voicing. And that is why some musicians will interchange the terms.I am not trying to oversimplify because it actually can get pretty complicated. But these two concepts are really what makes a chord sound like jazz.