Cinematic rooms reverb

LiquidSonics, the company behind the Seventh Heaven and Lustrous Plates reverb plug-ins, has announced their latest reverb Cinematic Rooms, which they say offers exquisite sounds, powerful tools and full Atmos compatibility. Here's their press release with the full details...Cinematic Rooms is a reverb dedicated to the intense acoustic demands of surround room simulation. Deep yet accessible; advanced surround workflow tools allow you to design intricate acoustic spaces of incredible purity with simplicity. Available in two editions, both support channel formats from stereo up to 7.1.6 for use with the latest Atmos bed workflows. With a wide selection of expertly designed presets and intuitive controls, Cinematic Rooms is designed to help you find a perfect space in no time at all.LiquidSonics has been working with industry-leading audio professionals, including Alan Meyerson, Steve Genewick, Scott W Smith, and many more to ensure that Cinematic Rooms has the sound and features needed for the challenges of modern mixing environments.At A Glance (Professional Edition)Stereo, LCR, Quad, 5.1, 7.1 – 7.1.6Surround plane parameter editingDecay to 45 sec / infinityReverb and reflection roll-offAdvanced reverb contouringPre-delay with syncLevel monitoringSurround / True Stereo / Multi-Mono Propagation ModesOver 300 presets, including 50 post-production roomsReverb echoAdvanced reflection engineWidth controlCrossfeed disparity definitionTwo Editions - Both Amazing ValueCinematic Rooms comes in two editions - Professional and Standard.Professional EditionFor the most demanding score mixing and post-production workflows, the Professional edition is the ultimate room simulator combining the latest in modulated constant-density reverb technology with an interface tailored to the demands of modern surround production.Surround Editing PlanesCinematic Rooms Professional provides you with the tools you need to able to precisely control the reverb within the surround field. Optionally deviate parameters in the front, rear, side, centre or elevated planes relative to the master preset, for example:Extend and filter the reverb tail in the sides

And rearsEmphasise and widen reflections in the front and side channelsApply a tempo-synced pre-delay and echo in the rears and elevationsAs all surround plane deviations track the master controls any changes to the master preset immediately propagate throughout the space, and are clearly visible by the surround editing indicators beneath every parameter.Superior Pan TrackingAdvanced control of crossfeed allows you to accentuate or suppress the amount and character of reverb propagation into the surround space.Unlike other surround reverbs that typically create a homogeneous wash of equal magnitude in all channels, Cinematic Rooms' crossfeed controls allow you glue the reverb to the source of the action whilst tracking panning very naturally with additional filtering, level and delay control.Standard EditionRefined, simplified, but never acoustically compromised - the standard edition is ideal for rapid workflows, lower budgets and simpler music mixing projects from stereo up to 7.1.6 bed.Sharing the same reverb and reflection engines as the professional edition, the standard edition of Cinematic Rooms creates a convincing, pure ambience around your sources by simulating sophisticated early auditory cues for a wide range of realistic environments.Technical InformationCinematic Rooms supports all major 64-bit DAWs on Windows and macOS:iLok 2/3, iLok local computer or iLok Cloud64-bit DAWWindows 7 and aboveOS X / macOS 10.9 and aboveVST 2.4, VST3, Audio Unit and AAX Native plug-in formats200 MB hard disk space is requiredAt least 8 GB of main memory is recommendedModern quad-core (or higher) processors are recommendedPricing and Availability:Available in the LiquidSonics Store with an introductory period throughout June.Cinematic Rooms Professional $249 - normally $399 from July 1st 2020Cinematic Rooms Standard $129 - normally $199 from July 1st 2020Upgrade Standard to Professional for $120 - normally $200 from July 1st 2020Existing LiquidSonics customers can also use their store loyalty coupons in addition to these introductory prices.An iLok 2/3 dongle,

As they could easily overwhelm the space. In Cinematic Rooms, the reverb in other planes automatically tracks down to 0.6 seconds in the sides and 0.7 seconds in the rears so that everything stays in step. This helps retain the consistency of the space despite variations made within it with a minimum of maintenance.The same applies to the reflection size, filtering, and early/late mix – in fact almost every parameter can be controlled in this way with Cinematic Rooms. Using parameter locks, you can even work through the hundreds of presets retaining master parameter values and associated biasing.This could all become very difficult to manage, if it were not for Cinematic Rooms’ inclusion of notification symbols under every control to indicate whether there is a surround plane biasing active. It also displays a count of the number of biases active per plane in the top right corner of the plugin at all times so that you can immediately see all planes’ statuses at a glance.If this all sounds like a level of complexity that just one step beyond your requirements, the planes can simply be hidden away and everything continues to work as you would expect in the background (whether a preset contains biased parameters or not). Crossfeed ControlIt was established many years ago that reverbs should produce output in every channel for each of their input channels. A sound received on one channel reverberates into all other channels to some degree just as it does in real life – usually with some degree of delay and attenuation. Ideally that audio should be fully decorrelated from all the other channels. Many surround reverbs do a good job of controlling this effect in their reflection modules. Delays, levels, filtering and more – all can be controlled by the reverb designer very