Cfx digital

Welcome to the Piano World Piano ForumsOver 3 million posts about pianos, digital pianos, and all types of keyboard instruments. Over 100,000 members from around the world.Join the World's Largest Community of Piano Lovers (it's free)It's Fun to Play the Piano ... Please Pass It On!SEARCHPiano Forums & Piano World Who's Online Now8 members (AlkansBookcase, David B, notusedihope, salce, Qberticus, 3 invisible),1,082guests, and 197robots.Key: Admin, Global Mod, Mod Joined: Aug 2017Posts: 1,6781000 Post Club Member1000 Post Club MemberJoined: Aug 2017Posts: 1,678Wow it’s a substancial update from version 6 i must say. Better attack and even better decay , althaugh i could swear there was still a bit synthi character in the two octaves above A440.And the bass is less muddy too.Great job, .... getting better each version althaugh going back and forth i still prefer VSL, Garritan and Embertone by some margin.Ha ha.. that is very likely the actual review will be when Pianoteq 7 is actually released!OshoMason & Hamlin BBKawai Novus NV10 + VST + Genelec 8050B monitors.Current VST favorites (in the order of preference): Pianoteq 7/VSL Synchron Concert D//Garritan CFX/Embertone Walker D FullJoined: May 2018Posts: 1,9671000 Post Club Member1000 Post Club MemberJoined: May 2018Posts: 1,967I've been away from Pianoteq for a few months after getting Garritan CFX Lite. Actually, I have been playing with the FP-30's own sound mostly this year due to impatience with respect to firing up a PC, and launching the Garritan CFX, or Pianoteq, software.But for the Adult Beginners Forum's recital I want to record using Pianoteq (it automatically records every note you play), so therefore I launched Pianoteq yesterday.And, OMG, it sounded harsh to my ears now - no matter how I changed parameter settings around, it just sounded in-your-face vulgar and rude. I would say based on this, if an analogy will

(films, video games, anime, etc.). But it's good to see that some people think otherwise Joined: Feb 2021Posts: 478Full MemberFull MemberJoined: Feb 2021Posts: 478I also find 60 a bit much but 70 and 80 are good. I actually like it at 70.I wish I could get rid of the ringing my ears hear. It's so bad with pianoteq it takes all the enjoyment out of playing.I hear it with other VST's, but nowhere near as much as with Pianoteq.RonKawai CA79VSL (BÖSENDORFER 280VC, CFX, Steinway D-274), Modern U, Ravenscroft275, Noire, Lounge Lizard EP-4(Not Used much) Garritan Abbey Road Studios CFX, Bechstein Digital, , Auddict_Dorian_Marko, The Grandeur,, 300_Grand_Compact, Pianoteq, Synthology_American_DJoined: Dec 2021Posts: 303Full MemberFull MemberJoined: Dec 2021Posts: 303I'm the person who made that statement, and I don't think it's BS. I said that after having played Pianoteq and Garritan CFX side by side. Pianoteq simply felt better to play. I prefer to play it. Does it actually sound better? I don't know, pretty sure if I just play a single key on each the Garritan CFX note sounds better, more natural. Why then, do I prefer to play Pianoteq? Maybe it's just the playability, and I prefer Pianoteq even though it sounds worse. But that's certainly not the way my mind works. Pianoteq feels better to play, so it sounds better while you're playing.Doesn't matter if it is BS, though. The Pianoteq demo is free and nearly fully functional, and a quick and simple install. Anybody who cares to try can demo them side by side and decide for themselves.Wasn’t directing my comments at you specifically, just my disagreement with the general sentiment (which I’ve seen expressed numerous times over the years) that Pianoteq is somehow more “alive” in comparison with sample-based instruments. Pianoteq was actually the first external VST I purchased based largely on such claims, and I was more or less happy with it until I had a chance to try a top level sampled VST, at which point I realized just how misleading many of the claims made about sample-based instruments by Pianoteq advocates were. Not only was the sampled piano just as capable of expressive and nuanced playing as Pianoteq, it also sounded way more tangible and real, which for me translated into a much more involving overall playing experience. After that there was no going back.I still keep up with Pianoteq and dutifully download each new version to see if they’ve finally been able to close the gap, but so far none of the updates they’ve made over the past few years has changed my overall opinion.In any case, I agree that everyone should feel free to try the demo out and come to their own conclusions,

P2P | 08 March 2019 | 13.9 GBPassion Reflected in Every DetailWe placed the awe-inspiring Yamaha CFX Concert Grand Piano in Abbey Road Studio One, where award-winning engineers used the world’s greatest microphones and equipment to create a stunning virtual instrument library.A truly remarkable virtual pianoThe Garritan Abbey Road Studios CFX Concert Grand places the user on the bench before the Yamaha CFX, an incredible concert grand piano characterized by a wide palette of tonal colors and the ability to create the most subtle, expressive nuances. This beautiful instrument is matched with the stunning acoustics of Abbey Road Studios’ legendary Studio One and the finest collection of microphones in the world.All facets of this project – the instrument, the room, the mics, and the recording expertise – work together to create the finest sampled piano ever captured. Experience the passion reflected in every detail.The Yamaha CFX Concert Grand PianoThe CFX piano marks a significant milestone in Yamaha’s celebrated 108-year history as an acclaimed world-class piano maker. In 1991, Yamaha began its most ambitious piano project ever: to create a new generation of grand piano for concert, conservatoire and studio performance.The result was the CFX Concert Grand Piano, a revolutionary new instrument that embodies the concept of beauty and power. The rich palette of tonal colors and musical voices the piano can produce characterizes its beauty. The power comes from the CFX’s unprecedented tonal projection. The development and evaluation phase of this remarkable instrument took almost 20 years. During this time, a 40-strong team of the world’s most talented piano designers, technicians, craftsmen and, of course, pianists deconstructed the concert grand and began rebuilding it from the ground up. Every aspect of traditional piano design was questioned, evaluated, improved and relentlessly tested. Once the design was nearing completion, multiple prototypes endured thousands of hours of secret testing at concert halls across the globe.Each CFX is entirely hand-built by a small team comprising some of the world’s most experienced and skilled craftsmen. All materials are meticulously selected and refined to ensure unprecedented music performance in the most demanding of situations. It offers outstanding expressiveness for a truly musical performance. With enough tonal presence to be heard over the sound of a full symphony orchestra in the largest of concert halls, the CFX is truly one of the greatest pianos ever created.Abbey Road StudiosAbbey Road Studios is the most famous recording studios in