Atif aslams songs list

If it was an expensive undertaking. But perhaps the biggest reason was the acting bug in Atif that he wanted to push forward with each video, ranging from ‘Raat’ to the most recent, ‘Moonrise’. “I think it (acting) was noticed because I ended up getting Sang e Mah.”“In each of the music videos, there was also the aspiration of highlighting our artists.”“Mahira Khan is a sweetheart,” with whom he had starred in Bol and its smash hit songs. Since a decade had passed, the idea to do a new music video emerged which was about doing something together. It culminated in the music video of ‘Ajnabi’. In the case of other music videos, Atif wanted to highlight the talent of every one who featured in his recent spate of music videos even further than their current status as actors. The collaborations were meant as a process of mutual respect and exposure to each other’s respective audience.“It’s always good to push artists from within your industry. We’re often at odds with each other because one person is having it out with another and so on. But as a result of this, the sense of being an industry is not there. The day we realise that we need to work as a unit and as a nation, these problems will disappear.”In some ways, Atif Aslam is a stoic character who wants to do his job without being motivated by prejudice and malice of any kind towards any artist.”“How did ya find me how did ya find me?/What are you looking for, are you looking for?” – ‘Find Me’ by Kings of LeonThere is no school of music that Atif Aslam is not familiar with. From singing pop songs and recording his debut album in literally 5 days, he has seen and done it all. It includes original soundtracks, pop songs, Bollywood songs, devotional renditions, qawwali, ghazal and folk songs. During this process he has collaborated with a diverse group of artists from various genres. Acting is a new beast he needed to conquer. We saw a glimpse in Bol (2011) but that was, as Atif has always maintained, about lending his celebrity power to an important film. In recent years, the acting bug in him, emerged first in music videos, followed by TV and in the future, a film, if and when the right one comes along. With a drama serial as intense as Sang e Mah, Atif did unleash his craft in another field of performing arts: acting. What compelled him to work in a drama serial, though?“Well, I’d say I’ve been very lucky,” Atif recalls, “You know, it can be a cliché when people say when are you starting your

Technology has given fans a free run to discover music like never before, there can be, at times, so much choice that a person can feel a sense of cognitive dissonance. “These are different, even tougher times. I think it varies from artist to artist,” he observes. To Atif, it is also about the purpose and what the reason is for an artist to start his career. Is it for 15 minutes of fame? Is it about what comes along with being a superstar like fame, money, power or is it about longevity and expressing an artform. “To be honest, I don’t know what anyone’s real agenda is but if an artist is here to stay, they have a lot of choices now; they can introduce themselves in many different ways and it gives them an edge in comparison to past decades.”Being an overnight sensation, he says, is not the same as it was. Because people have so many choices, says an astute Atif, if you don’t follow up, you’re not going to last. “If you keep doing the same thing, people will forget you.”“Servin’ up a look, dancin’ in the drought/Hello to the big stepper, never losin’ count.” – ‘N95’ by Kendrick LamarAs coronavirus infections eased up in Pakistan in the last two years, Atif Aslam was at the forefront of creating and releasing new music. And when Atif Aslam does something, music fans in and outside the country take notice. He went on an interesting spree, releasing new songs with music videos ft. some of the country’s finest women actors. Somewhere in there, he also worked in his first television drama, Sang e Mah that elated fans and challenged Atif to step out of his comfort zone, emotionally and physically. This didn’t keep him away from commercial platforms like Coke Studio or Pakistan Super League. In a nutshell, the post-corona freedom meant Atif Aslam was everywhere. Atif Aslam in ‘Cricket Khidaiye’ with Faris Shafi, and Talal Qureshi“The commercial platforms have their own parameters and you can’t step outside after a certain point. There are client requirements,” he says, thoughtfully. “With your own music, you are the boss and you’re in charge. The fact that only few artists were doing original music was one reason. But more than that, I wanted to reinforce the idea that it isn’t true that a song will only survive if it has enormous push behind it.”Atif gives an example. Songs that created a path for him in Bollywood were originals like ‘Lamhe’ and ‘Aadat’. Another reason why Atif Aslam dropped a series of songs – accompanied by elaborate music videos and actors – was because he wanted to make credible music videos, even

Your heart and my heart/Are very, very old/Friends.” – From The Gift by Hafiz On a Sunday morning in California, Atif Aslam is rehearsing to perform at a prestigious (then-upcoming) Sufi conference – scheduled to take place in Toronto, Canada.The conference has hosted illustrious names such as Sami Yusuf in the past. Invited to perform, Atif Aslam is well-aware of its significance and the responsibility that comes with it. To that end, Atif has shed the pop star spirit for the inherent Sufi nature that is a part of his personality. A case in point is the material he is planning to present at the conference. Choosing kalaams by the likes of Baba Bulleh Shah and other Sufi masters has taken precedence over pop songs. “It is akin to a religious conference with seminars. People from all over the world attend,” he says, “We are performing a completely different set.” As Atif confesses, the set includes Sufi kalaams by the likes of Baba Bulleh Shah as well as renditions of kalaams he has done in the past such as ‘Tajdar-e-Haram’, ‘Man Kunto Maula’ and ‘Wohi Khuda Hai’ - among others. This performance is an exciting one for Atif Aslam. “I started my career with singing and it allowed me to express myself and form connections.” The prospect of performing at this Sufi concert is, for Atif, about his career coming full circle. He also found it challenging because of what the set would entail and how he planned to present it. “These kalaams have been performed by many others and yet they’re fresh. I think your kalaam doesn’t change, only the voice changes. I’m excited about how I hope to present it.”Atif Aslam also knew that the audience at this conference extends beyond Pakistani or Indian fans. It would include other nationalities as well so the idea about playing this set to new(er) listeners was exciting, challenging, and created undeniably strong emotions in him. “May you always do for others/And let others do for you/May you build a ladder to the stars/And climb on every rung/And may you stay/Forever young.” – ‘Forever Young’ by Bob Dylan2023 is a hallmark year for Atif Aslam, the superstar, the singer, and Pakistan’s biggest export to the world from the performing arts arena. This year, he has entered the 20th year in his career, beginning with ‘Aadat’ in late 2003 and growing in the decades that followed. Between 2003 and 2023, the music ecosystem has drastically changed. As Atif looks back to the time when he was starting out, there is a hint of nostalgia as well as the realization that the way we consume music has changed (perhaps permanently) due to technology.And though

Spotify Wrapped 2024: Pakistan's Top Artists & Trends As 2024 draws to a close, the wait is finally over for music lovers nationwide—Spotify has unveiled Your Spotify Wrapped 2024, showcasing the sounds that defined the year both globally and in Pakistan. This year’s Wrapped data celebrates the artists, songs, and trends that made 2024 a record-breaking, culture-shaping, and fandom-inspiring year in music.This year marks a significant milestone in Pakistan’s music scene as Talha Anjum emerges as the most-streamed local artist of 2024, dethroning Atif Aslam, who dominated the top spot for three consecutive years. Spotify Wrapped 2024 highlights the evolving diversity of the country’s music landscape, which has seen an impressive 54% increase in local music consumption over the past year. Joining Talha Anjum on top are rising sensation Umair in second place and the legendary Atif Aslam in third. The timeless “Shahenshah-e-Qawwali” Nusrat Fateh Ali Khan and the dynamic Talhah Yunus are the top five local artists in Pakistan. Other notable mentions among the most-streamed local artists include Abdul Hannan, AUR, Hasan Raheem, and Maanu, showcasing the vibrant talent in Pakistan’s music industry.In terms of most streamed international artists in Pakistan, Arijit Singh continued his reign at the top followed by Pritam, Karan Aujla, Shubh and Sidhu Moose Wala making up the leading quintet on the list, with Talha Anjum, Umair and Atif Aslam also standing tall ranking on the sixth, ninth and tenth overall. Annural Khalid, the first woman artist to be featured on Spotify’s RADAR earlier this year, has emerged as Pakistan’s top female artist of the year 2024, solidifying her place as a trailblazer in the music industry. Maanu and Annural Khalid’s melodic track “Jhol” was revealed as the most-streamed song by Pakistani artists, closely followed by Hasan Raheem, Umair and Talwiinder’s “Wishes” and AUR’s “Tu Hai Kahan”. These tracks not only reflect the vocal prowess and appeal of young, upcoming stars but also highlight the diverse and emotional narratives resonating with listeners nationwide. The rise of emerging talents like Aashir Wajahat, NAYEL and Nehaal Naseem for their song, “Sadqay”, and the consistent popularity of Abdul

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The Pakistani artist recently recorded the Hindi song for upcoming Malayalam movie ‘Haal,’ which stars Shane Nigam in the lead 'Haal' movie soundtrack composer Nandhagopan V. with singer Atif Aslam at the recording of their new song "Hijr." Singer Atif Aslam will lead a new Hindi song “Hijr” in the soundtrack composed by Nandhagopan V. for the upcoming Malayalam romantic drama movie Haal, slated to release later this year.Aslam says in a statement to Rolling Stone India about working on his upcoming song for Haal, “Always fun to sing a beautiful composition and meaningful lyrics. The song is contemporary and I hope the film will be as amazing as its music.”The announcement marks the first South Indian film music project for the Pakistani artist. Although Aslam had intermittently lent his voice to Punjabi film songs like “Jee Ve Sohneya Jee” and “Bura Haal” in the last few years, it’s a new path for the artist since he sang on 2018’s “O Saathi.”One of the reasons behind the publicity behind bringing Aslam to sing for Haal is the Bombay High Court’s 2023 ruling that rejected a plea to ban Pakistani artists. The Supreme Court of India too rejected the plea in November 2023. Presently, however, private associations such as the Indian Motion Pictures Producers Association are still adhering by their 2016 resolution to bar Pakistani artists from working in Indian productions.Aslam joining hands with the makers of Haal, including composer Nandhagopan V., is of significance at this juncture. The composer says he wanted Aslam because the latter’s songs have been an “integral part” of life. Haal also marks the composing debut for Nandhagopan, who has previously sung in Malayalam movies like Luca, Kho Kho and Kasargold.While the song’s placement within Haal’s narrative is yet to be revealed, Nandhagopan says “Hijr” was the first track he wrote for the film. “I can tell you that this will be one-of-a-kind romantic emotional melody […] For this, I have used a mix of Western and Eastern instruments as well as weaving some ethnic, electronic textures along with an addition of ambient soundscapes,” the composer adds.Atif Aslam (center) with the team from ‘Haal.’It came about as he and lead actor Shane Nigam had Aslam’s hit “Aadat” on repeat in their free time together. Nandhagopan adds, “It so happened that the initial composition of the track was naturally in Hindi. Instantly, both of us just thought how great it would be to have Atif sing our song. It was initially just a wish. However, when I was done with the composition, I could not think of anyone better than Atif.”While recording outside of India, Nandhagopan says he and Haal director Prashanth Vijayakumar gave Aslam a brief on the film’s storyline and immediately began recording. A conversation during a break led the composer to set “Hijr” in the key of C sharp minor, which was incidentally the same key as “Aadat.” The composer adds, “He was very patient and there was a lot of give and take.