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Sketch. The painting was carbon dated to Leonardo’s era and executed with pigments that Leonardo used. Isabella has Leonardo’s trademark enigmatic smile. It’s currently in the Ambrosiana Museum, and a top masterpiece to see in Milan.Leonardo da Vinci, Sketch of Isabella d’Este, circa 1500 –in the LouvreOne of the world’s foremost Leonardo experts, Carlo Pedretti, has vouched for the painting’s authenticity. Though he concedes that some details (the lily, crown, and apparent wheel) were likely added/overpainted by students to create the iconography of Saint Catherine of Alexandria.Of more importance is the appearance of a closed book in both sketch and oil. In the painting, it’s under the overpainted wheel. In Leonardo’s sketch, the book is now hidden and obscured by the passage of time and only detectable by scans.But others disagree. There’s no historical documentation of the painting, which doesn’t have Leonardo’s usual subtley. It’s also painted on canvas, not the wood Leonardo preferred for oils. And Leonardo’s pupils had access to his sketches, so could easily have tried their hand.Portrait of a Musician, 1483-87 — attributed to Leonardo da Vinci5. Portrait of a Musician, 1483-87, Pinacoteca Ambrosiana (disputed but experts are coming around)The Ambrosiana also houses Portrait of a Musician, another disputed but well-preserved Leonardo. The unfinished painting was originally billed as a “school of Luini” painting. In 1798, the museum changed the attribution to Leonardo. Controversy surrounds the painting. It would be Leonardo’s only known portrait of a man.Many factors weigh against the off key painting’s authenticity. It’s mostly unfinished with some overpainting and lacks any historical documentation. There’s no record of anyone commissioning the painting>The subject is unidentified. The hand was added later and everything below the face is stiff and clumsily rendered.Other scholars claim the meditative face was painted by Leonardo. They suggest that the man is a Tuscan musician, who was a friend of Leonardo. And they believe that the sheet of music in the subject’s hand (uncovered during restoration) contains a cryptic inscription, which is a classic Leonardo hidden message.a possible earlier version of the Mona Lisa (the “Isleworth Mona Lisa”), 1503-15066. Isleworth Mona Lisa, 1503-06, privately owned (disputed)Did you know that some historians suspect the Louvre’s Mona Lisa is a copy of an earlier version? There’s another painting of the same woman, Lisa del Giocondo, allegedly painted a decade or so before the Louvre’s version. Was this Leonardo’s prequel?The lookalike painting was initially dubbed the “Isleworth Mona Lisa.” Isleworth was the studio of maverick English connoisseur Hugh Blaker, who spotted the painting in an old manor house. It’s now been rebranded as the “Earlier Mona Lisa.” The painting is owned by a consortium of Swiss businessmen. Though there’s a dispute in the Italian court over ownership, with a London family making a partial claim.The two paintings bear a startling resemblance, though the “Earlier Mona Lisa” has been cleaned and restored. Leonardo often made two versions of many masterpieces. Giorgio Vasari refers to the Mona Lisa as “unfinished” while the Louvre’s Mona Lisa is

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