Ableton transient shaper
Author: m | 2025-04-25
Transient Shaper plugin made in Ableton Live 11, using Ableton Live native effects and simplifying the utilization for you.more. Ableton Live Transient Shaper Multiband
Transient Shaper in Ableton? - Ableton Forum
Buy a lot of racks from Ableton, it is not necessary to stick to the mentioned scheme. It's not better (or worse) than many others. (including the one Citizen already uses)In fact I think it's the best aproach to come up with a scheme that works for you, because than remembering it will be even easier, since you came up with it and put everything where it is. Last edited by TomViolenz on Wed May 13, 2015 9:30 am, edited 1 time in total. Citizen Posts: 813 Joined: Mon Jan 17, 2011 4:34 am Re: Transient control: ADSR, Compression...or Transient Shapers? Post by Citizen » Wed May 13, 2015 9:29 am Cool, thanks again for the tips Tom.The Shaper is just a form of Saturation, isn't it? Also, if I limit my top value for the Res at 1.00, it doesn't modify the slope of the HPF much. And I can't really see a value reason for creating a high resonant peak on my HPF. Just wondering if this parameter could be better used.......Hmmmmm. Last edited by Citizen on Wed May 13, 2015 9:36 am, edited 1 time in total. TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:33 am Citizen wrote:Cool, thanks again for the tips Tom.The Shaper is just a form of Saturation, isn't it?Similar, yes. It shapes the curve of the filter you use and in high amounts distorts it quite a bit. I use the soft algo with the shaper placed before the filter (the little arrow pointing up). But YMMV, since it depends on what kind of sound you're after. TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:36 am Citizen wrote:Cool, thanks again for the tips Tom.The Shaper is just a form of Saturation, isn't it? Also, if I limit my top value for the REs at 1.00, it doesn't modify the slope of the HPF much. And I can't really see a value reason for creating a high resonant peak on my HPF. There is no reason to limit resonance (except maby to 9.5, since after that it starts to audible self resonate). If fact I often use high resonances to add more defined low end to kicks and to use it on hats to give them a tonal quality Citizen Posts: 813 Joined: Mon Jan 17, 2011 4:34 am Re: Transient control: ADSR, Compression...or Transient Shapers? Post by Citizen » Wed May 13, 2015 9:38 am TomViolenz wrote:Citizen wrote:Cool, thanks again for the tips Tom.The Shaper is just Also set longer release times to give you smoother, more transparent compression.It also comes with parallel compression capabilities, a high-pass filter module, and a sidechain function with stereo linking functionality, giving you incredible control over your tracks.3. Waves Smack AttackWaves Smack Attack has become a go-to plugin for my drum production, delivering plenty of transient-shaping functionality and crisp algorithms that aren't as easily available in Ableton. I often find myself using it on kick drums to get a bit of added punch by boosting the transients on the front end.It can also be a useful plugin for stacking drum samples. You can shave off the front end of a roomy snare stack so that the transient doesn't interfere with your main snare or trim the room sound off a drum fill sample to time it to your mix.The plugin is super transparent and comes with plenty of parameters that you wouldn't find on a standard transient shaper, including the protection limiter, which stops you from going into the red when giving your drums a good dose of attack.Best Saturation Plugins for Ableton Live1. Softube Saturation KnobSaturation plugins are great for adding harmonic richness to your tracks, and one of the best saturation plugins, Softube Saturation Knob , happens to be completely free. This extremely simple plugin delivers three saturation modes, allowing you to apply harmonic distortion to your highs, lows, or mids.The saturation style is very warm, with an undeniable analog style. You can use it to add a bitA transient shaper. - Ableton Forum
Yes, this rack is a work in progress. I do find that working with a Tranisent Shaper to be the fastest way of dialling in the sound I want. I find the NI one to be pretty low on the CPU, why do you like the Shaak one?Back when I started to make my racks the NI transient shaper was not available as a plug-in yet, but the transient shaper in Maschine was actually the one that introduced me to the concept. I think to remember from that time that the release phase of that one was a little weak.I use the Shaack one beause:a.) low CPU (less than 0.5% per instance, while the much raved about SPL one was 2% on my computer)b.) very good attack and release behaviour. It simply has a lot of range to reduce/add attack and release.c.) It has a very nifty Drive parameter included that adds some nice analog sounding distortion.d.) it was cheap (50€ at the time)Re. the Filter Morph – yeah, somebody said they have it in their rack, but TBH its a bit fiddly to use, and really, when the hell am I gonna use a notch only on a drum sound?! I can always drop in an EQ if I need finer control.If I took it away, that would free up 3 macros – so..... HPF, Res and....Pan?! Pan is useful, but I use the chain pan which I can control from Push in PXT.I use the Shaper amount parameter in that space. Plus HP freq and res TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:27 am Winterpark wrote:As a point of interest on Macro set-up....At the Melbourne live user group we had Phillip who works in the packs team from Ableton come in and talk to us about how they try to get the commercial packs set up, so there are common parameters mapped to specific macros.His template is something that I've been doing my best to implement whenever I create my own sample based instruments or drum racks.... macro 1: Brightness modifier (filter freq etc)macro 2-3: Wild-card, but good to map as a pair ie: lfo rate and lfo amountmacro 4: Effect/wetness (ie: delay and/or reverb amount)macro 5-6: Envelope functions (ie Attack/Release of either amp or filter depending on sound)macro 7: Wildcardmacro 8: VolumeI've found this super useful, and makes playing between instruments really easy, as you develop 'muscle memory' for going to certain types of parameters, instead of having to look at what they say.The idea to use always a similar layout is sound, but unless one plans to. Transient Shaper plugin made in Ableton Live 11, using Ableton Live native effects and simplifying the utilization for you.more. Ableton Live Transient Shaper MultibandA transient shaper . - Ableton Forum
A form of Saturation, isn't it?Similar, yes. It shapes the curve of the filter you use and in high amounts distorts it quite a bit. I use the soft algo with the shaper placed before the filter (the little arrow pointing up). But YMMV, since it depends on what kind of sound you're after.Right – cause with the Hard type at high settings, it veers into Hardstyle/Gabba kicks territory! :O (not where I'm headed) So, is it similar to adjusting the filter slope, but with some saturation at higher values, then? TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:41 am Citizen wrote:TomViolenz wrote:Citizen wrote:Cool, thanks again for the tips Tom.The Shaper is just a form of Saturation, isn't it?Similar, yes. It shapes the curve of the filter you use and in high amounts distorts it quite a bit. I use the soft algo with the shaper placed before the filter (the little arrow pointing up). But YMMV, since it depends on what kind of sound you're after.Right – cause with the Hard type at high settings, it veers into Hardstyle/Gabba kicks territory! :O (not where I'm headed) So, is it similar to adjusting the filter slope, but with some saturation at higher values, then? not quite it's more like puting a wave over the shape of the resonance. Look up filter shaping.And Resonance is one of the most powerful parameters on my rack, so I would most definetely not exclude it. Winterpark Posts: 1671 Joined: Thu Apr 15, 2004 2:59 am Location: Melbourne, Australia Re: Transient control: ADSR, Compression...or Transient Shapers? Post by Winterpark » Wed May 13, 2015 9:53 am TomViolenz wrote:Winterpark wrote:As a point of interest on Macro set-up....At the Melbourne live user group we had Phillip who works in the packs team from Ableton come in and talk to us about how they try to get the commercial packs set up, so there are common parameters mapped to specific macros.His template is something that I've been doing my best to implement whenever I create my own sample based instruments or drum racks.... macro 1: Brightness modifier (filter freq etc)macro 2-3: Wild-card, but good to map as a pair ie: lfo rate and lfo amountmacro 4: Effect/wetness (ie: delay and/or reverb amount)macro 5-6: Envelope functions (ie Attack/Release of either amp or filter depending on sound)macro 7: Wildcardmacro 8: VolumeI've found this super useful, and makes playing between instruments really easy, as you develop 'muscle memory' for going to certain types of parameters, instead of having to look at what they say.The idea to use always a similar layout is sound, Can give your drums more punch and power with a fast transient attack and a short sustain. Is purchasing a transient shaper plugin worth it?Regardless of the genre of music you’re making, transient shaper plugins are essential in forming a balanced mix and gaining full control over your sound. In just a few clicks, a transient shaper can transform a flat and boring drum section and give it life and excitement. You don’t have to spend a fortune, either. Plenty of reliable transient shapers are affordable and even free! How do you choose the best transient shaper plugin?A few important factors to consider in choosing a transient shaper for your music studio include user-friendliness, affordability, compatibility with your existing software, and available features. Some plugins offer basic controls on Attack and Sustain, best for beginners. Extra presets, filters, and effects may also be valuable, depending on your needs. Product RecapTransients can make or break your mix. That’s why you need sound-sculpting software to refine the surges of energy in your tracks with remarkable precision, also known as transient shaper plugins!The Slate Digital’s Transient Shaper plugin is a top choice for manipulating dynamic sounds, with groundbreaking features like frequency-focusing sliders. Meanwhile, the Oeksound Spiff plugin with it’s unmatched spectral analysis technique, makes it a force to be reckoned with in the world of transient shaper plugins. The Kilohearts Transient Shaper plugin offers the best value for money, hence FREE!If you found this guide helpful, please consider subscribing to our blog for more music production tips, product reviews, and buying guides. Also, you can support new content by contributing to our tip jar.“Some of the links within this article are affiliate links. These links are from various companies such as Amazon. This means if you click on any of these links and purchase the item or service, I will receive an affiliate commission. This is at no cost to you and the money gets invested back into Audio Sorcerer LLC.”Where is Ableton's transient shaper? - Ableton Forum
A transient shaper will allow you to control the attack and sustain of the signal. Unlike compressors, they don't affect the level or the entire envelope of a sound. Transient shapers (or better known as designers) can easily increase/decrease the attack and lengthen/shorten the sustain.Transient designers have the option to sharpen a signal's punch and minimize mic bleed or room tone. Some transient shaper plugins are very simple in layout, including sustain, attack, and gain control. The first hardware transient designer - the SPL TD4 was designed by Ruben Tilgner and came out in 1998 - included four channels with only sustain and attack controls.Plugins may get away with additional features in the software world such as dry/wet mix controls, sidechain filters, and a lot more. In that regard, there will be way more advanced and flexible than hardware and some of them are even frequency-specific.What do you mean by a transient shaper?A transient shaper is a very important mixing tool. These dynamics processing plugins can control the transient response and envelope the curve of an audio signal. You can use them for shaping dynamics, remove reverb, add punch, extend the impact of sounds, and more.Unlike compressors, transient shapes can sculpt the attack and sustain of sounds without actually affecting the level. They can sharpen or soften the onset of the sound and lengthen/shorten the decay of sounds. This pinpoint accuracy will make it easy to position sounds in the mix.Typical transient sharper plugins come with three simple controls for processing dynamics - gain, attack, and sustain. However, many modern plugins do come with advanced features that'll expand their uses. For example - sidechain options, soft-clip limiting, parallel mix control, mid-side processing, saturation, and more. There are intelligent transient shaper plugins that analyze and process frequencies in unique and innovative ways.Transient shaping is a "secret weapon" mixing approach used by a few of the world's top engineers and producers. It is a must-have dynamics effect processor to shape sounds, control presence, and fix recording problems.What do you mean by transients?A transient is essentially a non-tonal short burst of sound that occurs during the initial attack phase of the waveform. The spike in amplitude contains higher frequencies than the harmonic content of the sound. An attack transient will also give the sound its impact. For example, the initial attack sound of the kick drum.Best transient shaper plugins in the market SPL Transient Designer Plus | Brainworx/Plugin Alliance Joey Sturgis Tones | Transify Transient Shaper 2 | Schaack Audio Molecular Bytes | Atomic Transient Neutron 3 Transient Shaper | iZotope Transient Master | Native Instruments Oxford Transmod V3 | Sonnox Transient Shaper | Softube Punctuate | New Fangled Audio/Eventide Smack Attack TransientTransient control: ADSR, Compressionor Transient Shapers? - Ableton
Shaper | Waves Oxford Envolution | Sonnox Transgressor 2 | Boz Digital Labs Oxford TransMod | Sonnox Flux BitterSweet V3 Spiff | Oeksound Neutron 2 Transient Shaper | iZotope Zynaptix | Unmix::Drums SPL Transient Designer Plus | Brainworx/Plugin AllianceBrainworx decided to collaborate with SPL for producing the best plugin emulation of the definitive transient shaper. Successfully modeling a single channel of the TD4, the SPL TD Plus plugin managed to incorporate the original transient shaper sound with useful digital revisions, including parallel processing, sidechain filter, and even a limiter to prevent digital clipping.The Transient Designer is a pretty simple and effective transient shaper plugin that is revered by top engineers. With three controls, you'll be able to shape the attack and sustain of any audio source. This extremely versatile plugin sports a soft-clip limiter, preventing digital clipping when pushing your sounds. It'll add a parallel mix control and sidechain feature as well.Joey Sturgis Tones | TransifyTransify is a multiband transient shaper plugin and it combines four transient designers with three adjustable crossovers. Each band also features a clipping circuit to create aggressive sounds and preventing peak overages. This flexible tool will make it easy to shape sounds for different frequency ranges.Transient Shaper 2 | Schaack AudioTransient Shaper 2 is yet another widely used transient shaping plugin. It features dial-in quick results with two controls to shape the attack and release. Version two brings in features like analog saturation, three release shapes, and three attack shapes. Continue with this resource in the article on 25+ Best Lofi VST Plugins + Downloads now.Molecular Bytes | Atomic TransientAtomic Transient is a highly innovative multichannel polyphonic transient designer plugin. It is yet another processor packed with innovative features. Atomic Transient will offer three separate channels, each one with a set of sound-shaping controls. The channels will be able to detect notes or transients from mono and polyphonic instruments and complex mixes. Moreover, you'll be able to target specific instruments to modify or remove entirely from the mix. This versatile plugin will be able to do a whole lot more.Neutron 3 Transient Shaper | iZotopeiZotope's exceptional Neutron 3 plugin is a suite of different modules. These include compression, EQ, an exciter, a gate, and a transient designer. The transient tool features three global modes and three contour shapes for precise control over the attack and sustain of the signal.Transient Master | Native InstrumentsThe Transient Master by Native Instruments is based on a "studio favorite" (the TD4). It is one of the most straightforward plugins available. Attack, gain, and sustain. This is what the Transient Master is all about. You're off to all sorts of envelop shaping goodness. Just like the SPL TD Plus, it comes. Transient Shaper plugin made in Ableton Live 11, using Ableton Live native effects and simplifying the utilization for you.more. Ableton Live Transient Shaper Multiband Transient Shaper plugin made in Ableton Live 11, using Ableton Live native effects and simplifying the utilization for you.Ableton Live Transient Shaper MuTransient Shaper (Ableton Rack) - Gumroad
Do you want to make drums leap out of your mix or tame percussion to sit better within your track? Maybe you want your acoustic guitar to sound crisper, your rap vocals to hit harder, and your synth line to be snappier. With the right transient shaper, you can achieve all that and more! Experience precise control over your transients and unlock unlimited sound design capabilities with our handpicked list of the best transient shaper plugins on the market. Let’s dig in!Included in this guide:ImageProductFeaturesPriceBest OverallSlate Digital Transient Shaper Plug-InControls detected transient and tail of sourceAdjusts Gain, Warmth, Sustain, and Transient PresenceFocus sliders for precise frequency filtering5Check PriceRunner-upOeksound Spiff Adaptive Transient Processor Plug-InDetailed and adaptive transient design toolTime and frequency-specific transient controlsDepth, Sensitivity, Decay, and Sharpness Enhancer4.9Check PriceTop PickEventide Physion MK II Transient Tonal Audio Splitter Plug-InAutomatic transient and tonal separationSeven transient effects and eight tonal effectsIncludes 500+ sound presets to spark creativity4.8Check PriceTop PickWaves Smack Attack Transient Shaping Plug-InDrum and percussion-optimized transient shaping toolRefine transient level, shape, and durationSensitivity control for precise transient shaping4.7Check PriceFREEKilohearts Transient Shaper Plug-InLightweight transient shaping plug-inDirect control over Attack and Sustain for audio signalsTransient Speed, Sidechain, and Clip adjusters4.5Check Price Related Article: The Top 5 Best Limiter Plugins Of 2024 To Maximize Loudness1Take your transients to the next level with Slate Digital’s Transient Shaper plug-in, the ultimate sound-sculpting software. Whether it’s vocals, bass, percussion, or any other instrument, this flexible tool will help you shape and refine your sonic highlights to perfection. Its intuitive controls include a Transient module for gain control and saturation, a Sustain module to manipulate transient tails, a Mix knob for blending, Focus sliders for filtering, and so much more!Check out our review video below!ProsUseful for both emphasizing and blending transientsTone-shaping tools like the Warmth knob and Listen buttonWorks seamlessly as part of Slate Digital’s Virtual Mix Rack suiteConsIf you buy it outside the slate bundle, it is on the pricier end of transient shaper plug-ins 2Spiff delivers unparalleled control over your transients—cut them or boost them with great detail! Use Spiff to eliminate mouth clicks and subtle noises, soften a guitar’s pick attack, or soften the transients of an entire mix. You can also engage boost mode to enhance transients, adding palpable attack to your drums and injecting clarity and expression into your instruments. Unlike traditional transient shapers, which function like compressors and envelope shapers, Spiff relies on spectral analysis and dynamic filters to apply cuts or boosts, resulting in natural musicality.ProsAutomatically analyzes incoming signals and recognizes transients instantlyUsed by award-winning producers like James Reynolds and Joe BarresiPushes sounds forward or back in your mix without affecting the volumeConsTakes time to learn and master the complex interface 3Seamlessly splitComments
Buy a lot of racks from Ableton, it is not necessary to stick to the mentioned scheme. It's not better (or worse) than many others. (including the one Citizen already uses)In fact I think it's the best aproach to come up with a scheme that works for you, because than remembering it will be even easier, since you came up with it and put everything where it is. Last edited by TomViolenz on Wed May 13, 2015 9:30 am, edited 1 time in total. Citizen Posts: 813 Joined: Mon Jan 17, 2011 4:34 am Re: Transient control: ADSR, Compression...or Transient Shapers? Post by Citizen » Wed May 13, 2015 9:29 am Cool, thanks again for the tips Tom.The Shaper is just a form of Saturation, isn't it? Also, if I limit my top value for the Res at 1.00, it doesn't modify the slope of the HPF much. And I can't really see a value reason for creating a high resonant peak on my HPF. Just wondering if this parameter could be better used.......Hmmmmm. Last edited by Citizen on Wed May 13, 2015 9:36 am, edited 1 time in total. TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:33 am Citizen wrote:Cool, thanks again for the tips Tom.The Shaper is just a form of Saturation, isn't it?Similar, yes. It shapes the curve of the filter you use and in high amounts distorts it quite a bit. I use the soft algo with the shaper placed before the filter (the little arrow pointing up). But YMMV, since it depends on what kind of sound you're after. TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:36 am Citizen wrote:Cool, thanks again for the tips Tom.The Shaper is just a form of Saturation, isn't it? Also, if I limit my top value for the REs at 1.00, it doesn't modify the slope of the HPF much. And I can't really see a value reason for creating a high resonant peak on my HPF. There is no reason to limit resonance (except maby to 9.5, since after that it starts to audible self resonate). If fact I often use high resonances to add more defined low end to kicks and to use it on hats to give them a tonal quality Citizen Posts: 813 Joined: Mon Jan 17, 2011 4:34 am Re: Transient control: ADSR, Compression...or Transient Shapers? Post by Citizen » Wed May 13, 2015 9:38 am TomViolenz wrote:Citizen wrote:Cool, thanks again for the tips Tom.The Shaper is just
2025-04-23Also set longer release times to give you smoother, more transparent compression.It also comes with parallel compression capabilities, a high-pass filter module, and a sidechain function with stereo linking functionality, giving you incredible control over your tracks.3. Waves Smack AttackWaves Smack Attack has become a go-to plugin for my drum production, delivering plenty of transient-shaping functionality and crisp algorithms that aren't as easily available in Ableton. I often find myself using it on kick drums to get a bit of added punch by boosting the transients on the front end.It can also be a useful plugin for stacking drum samples. You can shave off the front end of a roomy snare stack so that the transient doesn't interfere with your main snare or trim the room sound off a drum fill sample to time it to your mix.The plugin is super transparent and comes with plenty of parameters that you wouldn't find on a standard transient shaper, including the protection limiter, which stops you from going into the red when giving your drums a good dose of attack.Best Saturation Plugins for Ableton Live1. Softube Saturation KnobSaturation plugins are great for adding harmonic richness to your tracks, and one of the best saturation plugins, Softube Saturation Knob , happens to be completely free. This extremely simple plugin delivers three saturation modes, allowing you to apply harmonic distortion to your highs, lows, or mids.The saturation style is very warm, with an undeniable analog style. You can use it to add a bit
2025-04-23Yes, this rack is a work in progress. I do find that working with a Tranisent Shaper to be the fastest way of dialling in the sound I want. I find the NI one to be pretty low on the CPU, why do you like the Shaak one?Back when I started to make my racks the NI transient shaper was not available as a plug-in yet, but the transient shaper in Maschine was actually the one that introduced me to the concept. I think to remember from that time that the release phase of that one was a little weak.I use the Shaack one beause:a.) low CPU (less than 0.5% per instance, while the much raved about SPL one was 2% on my computer)b.) very good attack and release behaviour. It simply has a lot of range to reduce/add attack and release.c.) It has a very nifty Drive parameter included that adds some nice analog sounding distortion.d.) it was cheap (50€ at the time)Re. the Filter Morph – yeah, somebody said they have it in their rack, but TBH its a bit fiddly to use, and really, when the hell am I gonna use a notch only on a drum sound?! I can always drop in an EQ if I need finer control.If I took it away, that would free up 3 macros – so..... HPF, Res and....Pan?! Pan is useful, but I use the chain pan which I can control from Push in PXT.I use the Shaper amount parameter in that space. Plus HP freq and res TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:27 am Winterpark wrote:As a point of interest on Macro set-up....At the Melbourne live user group we had Phillip who works in the packs team from Ableton come in and talk to us about how they try to get the commercial packs set up, so there are common parameters mapped to specific macros.His template is something that I've been doing my best to implement whenever I create my own sample based instruments or drum racks.... macro 1: Brightness modifier (filter freq etc)macro 2-3: Wild-card, but good to map as a pair ie: lfo rate and lfo amountmacro 4: Effect/wetness (ie: delay and/or reverb amount)macro 5-6: Envelope functions (ie Attack/Release of either amp or filter depending on sound)macro 7: Wildcardmacro 8: VolumeI've found this super useful, and makes playing between instruments really easy, as you develop 'muscle memory' for going to certain types of parameters, instead of having to look at what they say.The idea to use always a similar layout is sound, but unless one plans to
2025-04-01